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Carter Benedict Burwell (born November 18, 1954) is an American film composer. He has frequently collaborated with the Coen brothers , having scored most of their films. He has also scored films by other directors such as Bill Condon , Todd Haynes , Spike Jonze , Martin McDonagh , James Foley , Brian Helgeland , and John Lee Hancock .
Carter Burwell (1716–1756) Carter Burwell (1716–1756) was the son of Hon. Nathaniel Burwell (1680–1721) and younger brother to "President" Lewis Burwell IV/I. Upon reaching legal age, he inherited property from his grandfather King Carter, and built the house at Carter's Grove in the 1750s on the James River six miles east of Williamsburg ...
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Dec 22, 2021 · Burwell was the son of Elizabeth Carter Burwell and her first husband, Nathaniel Burwell (1680–1721), and was born at his father’s Fairfield plantation on Carter’s Creek in . His paternal grandfather was Lewis Burwell (d. 1710), a wealthy Gloucester County planter, and his maternal grandfather was Robert “King” Carter, one of the wealthiest men in North America, who served as ...
Carter Burwell. Carter Burwell was born on November 18, 1954. He graduated from Harvard College in 1977. While at Harvard he studied animation with Mary Beams and George Griffin, electronic music with Ivan Tcherepnin, and pursued a course of independent study at the MIT Media Lab (then known as the Architecture Machine Group).
Nov 7, 2022 · Carter Burwell’s spare, haunting scores make audiences uncomfortable, David Owen writes. ... I’m Being Crushed to Death by a Black Rectangle”—a loop in which a good guy and a bad guy shoot ...
English. Budget. $8.4 million [1] Box office. $14.4 million. Psycho III is a 1986 American slasher film, and the third film in the Psycho franchise. It stars Anthony Perkins, who also directs the film, reprising the role of Norman Bates. It co-stars Diana Scarwid, Jeff Fahey, and Roberta Maxwell. The screenplay is written by Charles Edward Pogue.
May 14, 2018 · Carter Burwell is among the most chameleonic of modern film composers. Though his music certainly has recognizable traits, his work for the first seven films by Joel and Ethan Coen is greatly varied in style—far from instantly identifiable, at least when compared to the scores of Angelo Badalamenti for David Lynch , or Bernard Herrmann for ...
