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Years active. 1975–present. Catherine Frot ( [ka.tʁin fʁo]; born 1 May 1956) is a French actress. [1] A 10-time César Award nominee, she won the awards for Best Actress for Marguerite (2015) and Best Supporting Actress for Family Resemblances (1996). Her other films include Le Dîner de Cons (1998), La Dilettante (1999), and Haute Cuisine ...
Jan 4, 2023 · Michel Couvelard and Catherine Frot. Michel Couvelard was married to French actress Catherine Frot, who was seven years older than him in 1987. The couples, however, went their separate ways in 2013. The union was blessed with a beautiful daughter Suzanne Couvelard.
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Catherine Frot. Actress: Marguerite. Catherine Frot was born on 1 May 1956 in Paris, France. She is an actress and writer, known for Marguerite (2015), Le Dîner de Cons (1998) and Family Resemblances (1996). She has been married to Michel Couvelard since 1987. They have one child.
- May 1, 1956
Feb 20, 2019 · Name: Catherine Frot. Born: May 1, 1957 in Paris. Early career: Having tried in vain to hack it on the silver screen, she settled on a stage career. That is, until she was asked to reprise her role as a trophy wife in the movie adaptation of award-winning play Un Air de Famille and was propelled to stardom at the age of 39.
Catherine Frot (born 1 May 1956) is a French actress. A ten-time César Award nominee, she won the awards for Best Actress for Marguerite (2015) and Best Supporting Actress for Family Resemblances (1996). Her other films include Le Dîner de Cons (1998), La Dilettante (1999), and Haute Cuisine (2012). Frot was born in Paris, France, the daughter of an engineer and a mathematics teacher. Her ...
Mar 24, 2016 · March 24, 2016 at 10:05 a.m. EDT. Catherine Frot plays the title character, a would-be diva who can’t carry a tune, in the French film “Marguerite.” (Cohen Media Group) There’s a line in ...
Mar 11, 2016 · The César-winning "Marguerite," directed by Xavier Giannoli, moves the action to France, and features a riveting performance from Catherine Frot as Marguerite. The script (co-written by Giannoli and Marcia Romano) disintegrates in the too-lengthy final act, and an "explanation" is provided for what has really been going on with Marguerite all along.
