Chamber music definition
- chamber music. n. Compositions traditionally intended for performance in a private room or small concert hall and written for an instrumental ensemble, such as a trio or quartet, with one player for each part.
- Dictionarycham·ber mu·sic/ˈCHāmbər ˌmyo͞ozik/
- 1. instrumental music played by a small ensemble, with one player to a part, the most important form being the string quartet which developed in the 18th century.
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Mar 11, 2021 · Definition of chamber music : music and especially instrumental ensemble music intended for performance in a private room or small auditorium and usually having one performer for each part Examples of chamber music in a Sentence
chamber music Music for two or more instruments in which only one musician plays each part. Chamber music is distinguished from music for orchestra, in which, for example, more than a dozen violinists may be playing the same notes. The most familiar kind of chamber music is the string quartet.
Chamber music is a form of classical music that is composed for a small group of instruments —traditionally a group that could fit in a palace chamber or a large room.
Designed for small ensembles of between two to eight players, allowing each instrument to carry a unique voice to a piece, Chamber music is what some have referred to as the music of friends. Structurally, scores for Chamber music is meant to be created for intimate gatherings, playable by amateur musicians so, by convention, they will not cover solo performances. The pieces are often unobtrusive, complementing social gatherings as a background ambiance. Though it is possible in modern times to have chamber music played in concert halls and theaters, it is still common to find chamber music played at grand house functions and churches which carry the sound naturally.
As the name suggests, chamber music was meant to be played in the particular room where often guests would be greeted by estate owners. But the use of small ensembles goes back further to medieval times. Often, small groups of players of older medieval instruments served public functions, such as public addresses. In sixteenth-century France, the popular chansons, pieces created for four voices based on liturgical texts were a way to engage the public in religious settings. In Germany, at around the same time, with the advent of mass publication, scores were printed, often without any reference to specific instruments, for use by musicians to provide counter melodies to popular folk songs. The elements of chamber music were further developed with the advent of Italian dance music. These were often presented as two pieces – one slow and stately piece and another, livelier, piece which took the melodies and key of the first. As the sixteenth century progressed, these two-piece sets we...
During the latter half of the 17th century, the composer began to rise in status. Often, stately courts would be under the employ of grand houses, ducal and royal. These houses could accommodate larger instruments such as the harpsichord which very quickly became an important feature of chamber music. In addition, many early composers would be appointed by the clergy. One such was Henry Purcell, one of the most influential English composers of all time. Influenced by the hugely popular Arcangelo Corelli, Purcell would create sonatas not dissimilar to the Italian chiesa, a church sonata. Often his pieces were created for between 3 and 7 instruments, largely of the violin family, to be performed as religious pieces. At a similar time, the hugely influential Baroque composer, Antonio Vivaldicomposed around 75 chamber music works. Not far behind them was the J S Bach. Bach’s input into the development of chamber music is intrinsic to the form. He offered a large amount of work for betwe...
The eighteenth century saw the widespread popularity of chamber music grow exponentially with the rise of Joseph Haydn. He is credited with the standardizing of the form into what we now know as the conversational form of chamber music. He revolutionized the composition of classical music with the idea of giving each instrument a specific, separate melody to play in the building of the whole. As a pioneering experimenter in the form, Haydn is known as the father of the string quartet. Even in his own time he was recognized and revered by other composers. Though Haydn was seen as something of a mentor to aspiring composers, his reputation would be soon superseded by his friend Mozart. The conversational style pioneered by Haydn was greatly expanded by Mozart, who took similar influences such as Sammartini, Richter, and Holzbauer. A constant experimenter, in Mozart’s ensembles we find the stings for the first time being given a chance to counter the piano. The piano at this time was a...
This did, however, face a backlash during the middle of the nineteenth century. Some purists preferred the emerging celebrity of virtuosi players. As the conflict in the world of music continued, the musical elite staged ever more elaborate productions which would outshine the simple quartet, establishing orchestral scores as a place for musical master and chamber music as a mere recital. However, as time has progressed, the elements of what chamber music is defined by have transformed and re-emerged in the likes of jazz and rock. As an accessible medium, chamber music continues to be performed by buskers and in small venues across the world.
Jun 03, 2021 · chamber music, music composed for small ensembles of instrumentalists. In its original sense, chamber music referred to music composed for the home, as opposed to that written for the theatre or church.
chamber music 1. A style of music that first appeared in the fifteenth century, written for performance in a chamber, or room, rather than in a church or theater. Although chamber music has long been a staple of the concert hall, it retains an air of intimacy, with the number of musicians usually limited to eight.
May 05, 2017 · Chamber music is music for a small ensemble of solo instruments that is sophisticated and performed in an intimate setting. This excludes almost all vocal music, unaccompanied solo music, symphonic music, and music that is primarily virtuosic.
From c1500 to the mid-1700s (Renaissance and Baroque eras), all music was classified by its social function as being either (1) church music, (2) theater music, or (3) chamber music--a term which included all secular music that was performed in private household--whether vocal or instrumental, solo or ensemble, or even orchestral because at that time orchestras were rather small.
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