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  1. Here's how the difficulties are rated by Rolf Koenen for Henle: 4+ Nocturne c minor KK IVb no. 8. 4+ Nocturne g minor op. 15 no. 3. 5 Nocturne (version 1) c sharp minor KK IVa no. 16.

  2. MODERATELY DIFFICULT: op. 27/1 (voicing in the outer section is hard, the broken 10ths passage in the middle) op. 55/2 (a bit hard to shape) op. 32/2 (requires good voicing in chords) op. 48/2 (harder than it sounds) op. 9/1 (the 22-note tuplet is not as scary as it seems) THE EASIEST (although none are for beginners)

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  4. Sep 17, 2016 · Chopin’s Nocturnes. Chopin’s nocturnes are almost entirely out of reach until you’re at an early advanced level. They range in difficulty from grade 9 – ARCT (which is basically the highest level). There is one nocturne you can attempt if you’ve had success with some of the previous Chopin suggestions, though:

  5. Resource. https://imgur.com/a/RCAMhEj. I sat down and sightread (almost) all of Chopin's solo repertoire and came up with a rough difficulty ranking for them in the hopes that it will answer any of the very common questions such as "am I ready to play Ballade No.1" or "am I ready to play Fantaisie-Impromptu", etc.

  6. The loud middle section will also be challenging if you are not comfortable with quick position shifts. Liebestraum definitely requires a more advanced technique than op 55 no. 1. Of the proposed alternatives I'd say op 27 no 2 is the easiest technically, but it's not easy and requires a supple wrist as stringoverstrung says.

  7. How would y'all rank Chopin's Nocturnes personally (i.e. in terms of personal preference, rather than difficulty)? For me I rank them this way (from least favorite to favorite). It's really hard for me to rank some of these above some other ones since I love them so much: 21. Nocturne in C minor, posthum. 20. Nocturne in C-sharp minor, posthum. 19.

  8. Aug 22, 2017 · Your Guide to Chopin’s Nocturnes. By Josh Davidoff | August 22, 2017. Frédéric Chopin composed nocturnes throughout his career, including 18 published between 1832 and 1846 and 3 published posthumously. The first person to title instrumental works of this kind “nocturnes” was John Field.

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