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Performed all over Europe with her father Leopold and brother Wolfgang Amadeus Mozart. Her career was thwarted by the gender roles of her time, and her domineering father demanded she marry. Wolfgang Amadeus Mozart: 1756 Piano, violin, composition 4 One of the most prolific composers of the Classical Era.
Renaissance. Canzona – Polyphonic instrumental or vocal composition originating in Italy, characterized by a contrapuntal style. Canzonetta – Short, light, and usually simple song or instrumental piece. Carol – A festive song, generally religious but non-liturgical, often with a dance-like or popular character.
Two of the most prominent composers of the Classical era, Joseph Haydn (1732–1809) and Wolfgang Amadeus Mozart (1756–1791), wrote harpsichord music. For both, the instrument featured in the earlier period of their careers, and although they had come into contact with the piano later on, they nonetheless continued to play the harpsichord and ...
Ridolfo Luigi Boccherini [1] ( / ˌbɒkəˈriːni /, [2] [3] also US: / ˌboʊk -/, [4] [5] Italian: [riˈdɔlfo luˈiːdʒi bokkeˈriːni] ⓘ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European ...
The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. [1]
The clavichord is a stringed rectangular keyboard instrument [1] that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. [2] Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. [2]
In his 17 string quartets, composed over the course of 37 of his 56 years, Beethoven goes from classical composer par excellence to creator of musical Romanticism, and finally, with his late string quartets, he transcends classicism and romanticism to create a genre that defies categorization. Stravinsky referred to the Große Fuge, of the late quartets, as, "...this absolutely contemporary ...
