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1. www.thecollector.com › claude-cahunClaude Cahun: The Androgynous Surrealist Artist - TheCollector

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   Jun 16, 2020 · I am in training don’t kiss me by Claude Cahun, 1927, Jersey Heritage This is one of Cahun’s most defining photographs. Many view this presentation of identity as almost homosexual.

   • Author: Jacqueline Martinez

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3. www.schirn.de › en › magazine„I am in training, don’t kiss me“ - SCHIRN MAG

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   Mar 11, 2020 · Claude Cahun, Self-portrait (I am in Training…. Don't Kiss Me), ca. 1927 © Claude Cahun. They recall an effeminate version of maleness that contemporary Europeans saw in Arabic countries – a cultural trope ruthlessly dissected in Edward Said’s “Orientalism” (1978).

4. www.theartstory.org › artist › cahun-claudeClaude Cahun Photography, Bio, Ideas | TheArtStory

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   With coquettishly pursed lips, the English words across Cahun's chest humorously read: "I am in training don't kiss me." With a gaze coy and inviting, it is at the same time contemptuous and mocking, ridiculing the viewer for being attracted to what is blatantly not on offer.

   • Nationality: French
   • Birth Date: October 25, 1894

   • Place Of Birth: Nantes, France
   • Death Date: December 8, 1954

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     Claude Cahun. A Surrealist Queer Prophet

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     Training Day (1/5) Movie CLIP - Taking the Evidence (2001) HD

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6. ocula.com › magazine › featuresClaude Cahun: An Intimate Dialogue Between the Self and Other

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   Breton hailed Cahun as 'one of the most curious spirits of our time' but was openly homophobic, allegedly avoiding Cahun and Moore when he saw them in Parisian cafés. Claude Cahun, I am in training, don't kiss me (1927).

   • Author: Olivia Fletcher

7. www.dailyartmagazine.com › claude-cahunClaude Cahun. A Surrealist Queer Prophet | DailyArt Magazine

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   Jun 22, 2023 · A Surrealist Queer Prophet. Candy Bedworth 22 June 202311 min Read. Claude Cahun, I am in training, don’t kiss me, 1927, Jersey Heritage Collection, Jersey, UK. Detail. Claude Cahun famously said “Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me.”

8. People also ask

   What did Claude Cahun do for a living?

   • Although photography was clearly a much-loved artistic outlet, Claude Cahun was also a writer, a journalist, an essayist, a poet, and a sculptor. They worked in theatre and participated in several Surrealist exhibitions in London and Paris. Perhaps their most famous literary work was Disavowels, published in 1930.

   Claude Cahun. A Surrealist Queer Prophet | DailyArt Magazine

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   Does Cahun make 'complete' artworks?

   • Cahun does not make 'complete' artworks but rather all of the photographs and writings combine to become part of a bigger and yet still unfinished whole. Cahun admits not having the answers, and as such unusually makes visible the rawness, torment, and distress of not knowing.

   Claude Cahun Photography, Bio, Ideas | TheArtStory

   www.theartstory.org/artist/cahun-claude/

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   What motifs does Cahun use?

   • In general, Cahun shares an interest in certain motifs such as hair, hands, and animal familiars with other female Surrealists, and similarly uses techniques of doubling and reflection to call into question fixed notions of gender and identity. Cahun's work looks forward to that of Francesca Woodman, Cindy Sherman, and Gillian Wearing.

   Claude Cahun Photography, Bio, Ideas | TheArtStory

   www.theartstory.org/artist/cahun-claude/

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   When did Cahun meet Andre Breton?

   • In 1932, Cahun joined the 'Association des Ecrivains et Artistes Revolutionnaires', where Cahun met Andre Breton, one of the founders of the Surrealist movement. On their first meeting, Cahun presented Breton with a copy Aveux Non Avenus, and the experimental text impressed him.

   Claude Cahun Photography, Bio, Ideas | TheArtStory

   www.theartstory.org/artist/cahun-claude/

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9. testudomkt.com › editorial › claude-cahun-radicalSurrealist Claude Cahun's Radical Legacy | Editorial | Testudo

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   Aug 23, 2022 · Elaborate costumes and props began to crop up in her works as an amplification of gender performance; one of her most iconic images from the period, I am in training don’t kiss me (1927), depicts her as a coquettish bodybuilder toting a barbell, dolled up with cutesy heart-shaped cheeks, puckered lips, and kiss curls.

10. www.artandobject.com › news › gender-and-identity-claudeGender and Identity in Claude Cahun’s Work | Art & Object

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    Through an exploration of the multiplicities of gender, works such as the self-portrait from their series I am in Training Don’t Kiss Me (1927) declare that Cahun’s gender is both allowed to be on public display while simultaneously not to be objectified and exoticized by the male gaze.