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Claude Cahun was a Surrealist photographer whose work explored gender identity and the subconscious mind. The artist’s self-portrait from 1928 epitomizes her attitude and style, as she stares defiantly at the camera in an outfit that looks neither conventionally masculine nor feminine. “Under this mask, another mask,” the artist famously ...
- French
- Self Portrait as A Young Girl, 1914
- Untitled (Self Portrait with Mirror), 1928
- I Am in Training Do Not Kiss Me, 1927
- Claude Cahun’s Legacy in Art and Gender
Cahun’s hair here is reminiscent of Medusa‘s. Most observers note that the tone and appearance isn’t attractive. Many depictions of women on a bed in fine art are eroticized. Cahun’s take is a stark contrast to that. Many speculate that this was a reflection of her own depression when her mother fell ill. There’s a cropped version of this photograp...
This photograph is a highlight in Cahun’s androgynous expression. Instead of looking at her own reflection in vanity, Cahun does not face herself here. The contrast between each angle of her face reveals a different part of her identity. The one watching the viewer is half hidden by the collar, while the mirror reveals a vulnerable, exposed neck. T...
This is one of Cahun’s most defining photographs. Many view this presentation of identity as almost homosexual. It has features that are neither fully masculine nor feminine, and the part at the center of her hair resembles Oscar Wilde’. Historians have remarked that this appearance is more of dandy, but the lipstick and hearts keep it difficult to...
Cahun’s death didn’t get popular attention or acknowledgement. It was in 1992 that her work gained a surge of appreciation. Francois Leperlier published a book, Cahun: L’ecart et la metamorphose (The Gap and the Metamorphosis), that began to reignite public awareness of Cahun’s work. The Jersey Heritage Trust, which now holds a large roster of les ...
- Jacqueline Martinez
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Summary of Claude Cahun. Claude Cahun's photographic self-portraits present a dizzying kaleidoscopic mix of mystery, exuberance, and sobriety. Born in France, Cahun lived mostly on the island of Jersey with long-term love, Marcel Moore. Also known as Lucy Schwob and Suzanne Malherbe, they both adopted their preferred gender-neutral pseudonyms ...
- French
- October 25, 1894
- Nantes, France
- December 8, 1954
Cahun is best known for striking photographic self-portraits, yet these personal images were often produced collaboratively with Marcel Moore, Cahun’s lifelong creative and romantic partner. Similarly, Cahun’s memoir Disavowals is illustrated not by works produced independently, but by photo collages made by the couple. 2 As adults, the ...
Jul 6, 2023 · The Life Of Claude Cahun, The Long-Overlooked Queer Photographer And Anti-Nazi Activist. A French leader in the surrealist movement, Claude Cahun was a pioneering queer artist whose self-portraits played with gender identity in a way that had never been seen before. Flickr Self Portrait from the series I Am In Training Don’t Kiss Me, 1927.
Partner. Marcel Moore (1909–1954) [1] Claude Cahun ( French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob; [2] 25 October 1894 – 8 December 1954) was a French surrealist photographer, sculptor, and writer. [3] Schwob adopted the pseudonym Claude Cahun in 1914. [4] Cahun is best known as a writer and self-portraitist, who ...
Jun 19, 2019 · “Self Portrait,” with cat, in garden, by Claude Cahun, 1950. ... Why they did not put Claude Cahun and Marcel Moore on the tombstone — or use them in their handwritten wills — is a mystery ...
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