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Oct 16, 2014 · Martinez’s challenge was unearthing enough ideas to fill the ten hours of screentime. The composer says an average film takes him about five to 12 weeks to score. “ The Knick was six months ...
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Nov 30, 2016 · You’re not in the spotlight. Your job is the make other guy look good, and that’s what film music does. By Cliff Martinez on. The playfully experimental composer discusses early work for Pee-wee’s Playhouse and collaborating with Steven Soderbergh.
Jul 21, 2016 · Martinez, 62, has just completed the score for The Neon Demon. Out on July 8, it's his third film with Drive director Nicholas Winding Refn. Here Martinez talks to WIRED about composing,...
Host Daniel Schweiger of the Film Music Institute interviews Cliff Martinez for Film Music Live. Cliff talks about his high-tech Herrmann-esque take for frequent collaborator Steven Soderbergh’s new super-wired, pandemic thriller! Director/Composer Interview: Nicolas Winding Refn & Cliff Martinez.
Dec 3, 2020 · Indeed, onscreen, tracks from the Beastie Boys, Sonic Youth, the Pixies and the Descendents all played into the mood of teenage alienation that the film captured. Martinez recalls feeling a bit ...
Nov 27, 2014 · Cliff Martinez interview: The Knick, Soderbergh, composing for film and games | Den of Geek. Features. Cliff Martinez interview: The Knick, Soderbergh, composing for film and games....
Jul 1, 2016 · Neon Melodies: Composer Cliff Martinez Interviewed. Read later. Ahead of its release next week, composer Cliff Martinez talks about his work soundtracking Nicolas Winding Refn's lurid fashion fantasia, The Neon Demon. Adam White Published 8:44am 1 July 2016. Imagine your own obituary. Morbid, sure, but just go with it for a sec.
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