Combat (French for fight) is a purposeful violent conflict meant to physically harm or kill the opposition. Combat may be armed (using weapons) or unarmed (not using weapons). Combat is sometimes resorted to as a method of self-defense, or can be used as a tool to impose ones will on others. An instance of combat can be a stand-alone confrontation or a small part of a much larger violent conflict.
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Combat! Development. Creator Robert Pirosh's early career in film was defined mainly by comedy movies. After his service in... Production. The series went into production on June 2, 1962 and filming got underway on June 11. Episodes typically took... Broadcast history. Combat! premiered on ABC on ...
Combat, or fighting, is purposeful violent conflict between two or more persons, groups or organizations, often intended to establish dominance over the opponent. The term "combat" typically means armed conflict between military forces in war. The more general term "fighting" can mean any violent conflict, including boxing and wrestling matches. Combat violence can be unilateral, fighting means that there is at least a defensive reaction.
As pointed out in the main article on Combat!, this is the only season of the program produced in color. The fifth-season DVDs come in two sets, "Invasion 1" and "Invasion 2," which, like the first-season "Campaigns," the second-season "Missions," the third-season "Operations," and the fourth-season "Conflicts," are sold separately.
- War years
- May 1968
Combat was a French newspaper created during the Second World War. It was founded in 1941 as a clandestine newspaper of the French Resistance.
In August 1944, Combat took over the headquarters of L'Intransigeant in Paris, and Albert Camus became its editor in chief. The newspaper's production run decreased from 185,000 copies in January 1945 to 150,000 in August of the same year: it did not attain the circulation of other established newspapers.
Following the liberation, the main participants in the publication included Albert Ollivier, Jean-Paul de Dadelsen, Jean Bloch-Michel, and Georges Altschuler. Among leading contributors were Jean-Paul Sartre, André Malraux, Emmanuel Mounier, Raymond Aron and Pierre Herbart. From 1943 to 1947, its editor-in-chief was Albert Camus. Its production was directed by André Bollier until Milice repression led to his death.
During 1946, Combat was opposed to the "game of the parties" claiming to rebuild France, and thus became closer to Charles de Gaulle without, however, becoming the official voice of his movement. Loyal to its origins, Combat tried to become the place of expression for those who believed in creating a popular non-Communist Left movement in France. In July 1948, Victor Fay, a Marxist activist, took over Combat 's direction, but he failed to stop the newspaper's evolution towards more popular subje
During the May 1968 crisis, Combat supported the student movement although from a Stalinist point of view, through the signatures of the likes of Jacques-Arnaud Penent. On 3 June, it published a falsified version of the Address to All Workers by the Council for Maintaining the Occupations, removing the references to the Situationist International and the attacks against the Stalinists.
Henri Smadja committed suicide on 14 July 1974, and Combat definitively ceased to be published the following month.
- National Press
- December 1941
Combat! was a weekly television series that dramatized the exploits of a U.S. Army infantry squad in northern France during and after D-Day. It aired from October 2, 1962, to March 14, 1967. 152 episodes were produced. Combat! was built around the men of K Company, second platoon, 361st Infantry Regiment, 21st Division, IV Corps.
See also Combat Support. Australia. Within the Australian Army, combat service support is provided to combat elements at various levels: first line (organic to battalion or regimental level), second line (at brigade level), and third line (at formation or higher).
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Combat!, a one-hour World War II drama series on television, followed a frontline American infantry squad as they battled their way across Europe. With mud-splattered realism, the show offered character studies of men striving to maintain their own humanity in the midst of a world torn by war. Written by Jo Davidsmeyer <email@example.com>