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  1. Come Play
    PG-132020 · Horror · 1h 36m

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    • Come Play | Review | The GATE
      • Come Play is a confidently written, well acted, and emotionally realistic scarer with plenty of memorable moments and nothing to derail its overall entertainment value or momentum. You want “bump in the night” scares? Come Play has you covered and then some.
      www.thegate.ca › film › 045762
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  2. Oct 30, 2020 · Reviews. Come Play. Brian Tallerico October 30, 2020. Tweet. Now streaming on: Powered by JustWatch. “Come Play” uses isolated childhood to spin a traditional ghost story around concerns about bullying and even the abundance of screen time for our current youngest generation.

  3. Oct 30, 2020 · A frightening feature debut from Jacob Chase, Come Play makes up for its uneven tone by adding real depth to its jarring scares. Read Critics Reviews. Rated 4/5 Stars • 11/20/21. Rated 4/5...

    • (174)
    • Jacob Chase
    • PG-13
    • Azhy Robertson
    • come play movie review1
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  4. www.ign.com › articles › come-play-reviewCome Play Review - IGN

    • Skip this Play date.
    • Verdict

    By Rosie Knight

    Posted: Oct 28, 2020 7:01 am

    IGN serves a global audience, so with Come Play opening in theatrical release this week, we are publishing our review from Rosie Knight who watched the movie via a digital screener. Read more on IGN's policy on movie reviews in light of COVID-19 here. IGN strongly encourages anyone considering going to a movie theater during the COVID-19 pandemic to check their local public health and safety guidelines before buying a ticket.

    Come Play began life as a short horror film and after watching the feature-length version it's clear that it should have stayed that way.

    Oliver (Azhy Robertson) is a young autistic boy who lives with his struggling parents. Played by Gillian Jacobs and John Gallagher Jr. respectively, Sarah and Marty are Hollywood's version of struggling A.K.A. they live in a huge house and seem to be doing fine unless the narrative calls for it. Why the creative team decided to make Oliver autistic is baffling, especially as their idea of what it is to be autistic is as dated as the '80s inspired tone they're trying to emulate.

    Like every other child (and adult) in 2020, Oliver uses his tablet and phone religiously; he also occasionally uses it to communicate. But in Come Play it's used as one more way to show that he's "different." He also has no friends because apparently, the filmmakers think autistic people are incapable of making them. That combined with his mother's terrible parenting means that Oliver is an easy target for Larry, a monster that lives in his tablet -- no, we don't find out any more about that -- and communicates via flashing lights and a Babadook-lite digital book.

    Come Play is a misfire on multiple levels, from the thinly drawn leads to lack of tension. It fails to offer any real scares and it's hard to connect on an emotional level with the characters. There are plenty of utterly confusing choices throughout that will make you question what the filmmakers were thinking but will barely intrigue you further. ...

    • Rosie Knight
  5. Oct 30, 2020 · User reviews. Trivia. FAQ. IMDbPro. All topics. Come Play. 2020. PG-13. 1h 36m. IMDb RATING. 5.8 /10. 18K. YOUR RATING. Rate. Play trailer 0:31. 13 Videos. 30 Photos. Drama Horror Mystery. A monster named Larry manifests itself through smart phones and mobile devices. Feature film version of the 2017 short film. Director. Jacob Chase. Writer.

    • Jacob Chase
    • 287
    • 31 sec
  6. Parents need to know that Come Play is a horror movie about Oliver (Azhy Robertson), a boy on the autism spectrum who comes upon an ebook about "Larry," a lonely monster who wants a friend. Despite a few small story flaws, it's well made and just scary enough for younger teens and up.

    • Jacob Chase
    • Jeffrey M. Anderson
    • Focus Features
  7. Oct 30, 2020 · Come PlayReview: Where the Wild Things Scar. An autistic boy encounters an online storybook monster who wants to be his friend — or else — in this mix of Spielbergian sentimentality and...

  8. Top Critics. All Audience. Verified Audience. Emma-Jane Betts The Digital Fix. Unlike the films it tries to draw upon, Come Play lacks the deep world-building and characterisation it needs to...

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