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    • Image courtesy of alfred.com

      alfred.com

      • INTERMEZZI are comic 2-act interludes sung between the 3 acts of an opera seria Intermezzi originate from the Renaissance INTERMEDIO, the musical numbers sung between acts of a spoken theatrical play In their original form an INTERMEZZO was composed for an OPERA SERIA and was thematically related to the main opera.
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  2. Probably the most famous of Commedia characters, Arlecchino is a good-hearted and well-intentioned buffoon. He can be crafty and clever, but is never malicious. COLOMBINA is a clever female servant with a keen and active wit and able to hold her own in every situation and emerge triumphant from the most complicated intrigues.

  3. en.wikipedia.org › wiki › IntermezzoIntermezzo - Wikipedia

    In music, an intermezzo ( / ˌɪntərˈmɛtsoʊ /, Italian pronunciation: [interˈmɛddzo], plural form: intermezzi ), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work.

  4. dictionary.onmusic.org › terms › 1789-intermezzoOnMusic Dictionary - Term

    May 20, 2016 · intermezzo. in-ter-MEH-tsoe. [Italian, interlude] 1. An Italian term for interlude. 2. A comic play with music performed between the acts, popular in the 16th and 17th centuries in France and Italy. 3. An instrumental interlude between the acts of a performance. 4. A short, lyric composition, often for the piano. 5.

  5. May 11, 2018 · in·ter·mez·zo / ˌintərˈmetsō / • n. (pl. -mez·zi / -ˈmetsē / or -mez·zos) a short connecting instrumental movement in an opera or other musical work. ∎ a similar piece performed independently. ∎ a short piece for a solo instrument. ∎ a light dramatic, musical, or other performance inserted between the acts of a play.

  6. May 29, 2013 · The comic intermezzo currently holds a prominent place in the historiography of eighteenth-century music. The comic music contained in these short entertainments provides evidence of a burgeoning musical style that came to dominate the opera house and the chamber in the Age of Enlightenment.

    • Keith Johnston
    • 2013
  7. At the beginning of the 18th cent., comic characters were admitted into opera seria in scenes near the end of an act, thus forming a separate plot, an intermezzo. Most popular of these intermezzi was Pergolesi's La serva padrona (The maid as mistress) (1733). From this form developed opera buffa.

  8. Earlier signifying a comic interlude inserted between the acts of an opera seria, the 19th century intermezzo was often either a musical interlude in a larger composition or a piece of music in itself, often for solo piano.

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