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  1. It's too bad the last twenty minutes don't really work, though, because for most of its length "Coming Home" is great filmmaking and great acting. And it is also greatly daring, since it confronts the relationship between Fonda and Voight with unusual frankness -- and with emotional tenderness and subtlety that is, if anything, even harder to ...

  2. www.rottentomatoes.com › m › 1004559-coming_homeComing Home | Rotten Tomatoes

    Rated 4.5/5 Stars • 07/31/23. Rated 3.5/5 Stars • 05/25/23. Rated 3.5/5 Stars • 02/17/23. Rated 4/5 Stars • 02/21/23. Hal Ashby. Director. Jane Fonda. Sally Hyde. Jon Voight. Luke Martin. Bruce...

    • (241)
    • Hal Ashby
    • R
    • Jane Fonda
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  3. 8/10. Sensitively handled. rgxdzrybr 7 March 2023. Warning: Spoilers. The question can any movie about war be anti war ? Coming Home answers it . The main characters Sally and Bob Hyde ( Jane Fonda and Bruce Dern ) and Luke Martin ( Jon Voight) are not anti war but each experience it in a way that leaves them feeling different by the end.

  4. Aug 8, 2015 · Coming Home (1978) was nominated for eight Academy Awards including nominations in all six major categories. It would win Best Actor, Best Actress, and Best Original Screenplay, losing Best Picture and Best Director to The Deer Hunter (1978) a grave injustice that has become apparent through the years.

  5. Feb 15, 1978 · Jon Voight. Bruce Dern. See production info at IMDbPro. RENT/BUY. search Amazon. Add to Watchlist. Added by 25.4K users. 94 User reviews. 61 Critic reviews. 61 Metascore. Won 3 Oscars.

    • (14K)
    • Drama, Romance, War
    • Hal Ashby
    • 1978-02-15
  6. On review aggregator website Rotten Tomatoes, the film has an approval rating of 83% based on 29 reviews, with a rating average of 7.4/10. The website's critical consensus reads: "Coming Home's stellar cast elevates the love triangle in the center of its story - and adds a necessary human component to its none-too-subtle political message."

  7. Coming Home. 61. Metascore. 9 reviews · Provided by Metacritic.com. 100. Chicago Sun-Times Roger Ebert. It confronts the relationship between Fonda and Voight with unusual frankness -- and with emotional tenderness and subtlety that is, if anything, even harder to portray. 90. Variety.

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