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Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that ...
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- Technique of Conducting
- Famous Conductors
In the 17th century, orchestras were usually small enough that they did not need a conductor. Often they were directed by the keyboard player or lead violinist. But as orchestras grew in size and began using a wider variety of instruments, it became a convention of having someone who was not playing any instrument to stand, facing the orchestra, as the director or conductor. One early conductor was the French composer Jean-Baptiste Lully (1632-1687), who beat time by banging a big stick (like a walking stick) on the floor to the time of the music. One day he banged his stick so hard, it went through his foot, and he died of gangrene. Conducting as we know it today had become normal by the 19th century. The composer Felix Mendelssohn (1809-1847) was known to be a very good conductor as well. Some conductors in Victorian times behaved like they wanted to show off. At around the same time, Louis Antoine Jullien (1812-1860) was a French conductor who wore white gloves, which were presen...
Conductors usually beat time with their right hand. This leaves their left hand free to show the various instruments when they come in (when they start playing) and to give interpretative gestures, such as indicating when to play louder or softer, or faster or slower. Most conductors have a stick called a “baton”. It makes it easier for people at the back of large orchestras or choirs to see the beat. Other conductors, such as those who lead singers, prefer not to use a baton. A conductor stands on a small platform called a “rostrum”. To be a good conductor is not easy. It is not just a question of giving a steady beat. A good conductor will know the music extremely well, understand how the composer wanted the music to sound, be able to figure out the technical details, and know how to be able to work with the orchestra to create great music everyone would want to listen to. Having good communicationskills would help a lot, but some conductors speak very little during their rehearsa...
Some of the most famous conductors of the past were: Gustav Mahler, Hans Richter, Arthur Nikisch, Arturo Toscanini, Bruno Walter, Wilhelm Furtwängler, Herbert von Karajan, Leopold Stokowski, Georg Solti, John Barbirolli, Otto Klemperer, George Szell and Leonard Bernstein. Some of the most famous conductors today are: Marin Alsop, Riccardo Chailly, Gustavo Dudamel, Sir Simon Rattle, Andris Nelsons, Valery Gergiev and Bernard Haitink.
The main conductor who is in charge of an orchestra is often given the title "musical director". This will usually mean that he or she has a lot of power in the organization of the orchestra, such as choosing the music that will be performed at each concert or inviting soloists to perform with the orchestra. Orchestras may give honorary titles to their conductor, such as "conductor laureate". A "guest conductor" is one who conducts an orchestra regularly, but is not the main conductor. Typically, he or she would be invited by the main conductor to conduct a performance now and then. An "assistant conductor" will often be a young conductor who helps the main conductor and gets the chance to conduct some of the concerts. Leonard Bernstein became famous in 1953 as the assistant conductor of the New York Philharmonic when he led a concert, which was being broadcast nationally on CBSRadio, without having time to prepare for it. He would be the main director of that orchestra from 1958 to...
May 22, 2021 · 4, 2, or fast 8 time 4 or 8 time 4 time slow 8 time. Conducting is a means of communicating artistic directions to performers during a performance. Although there are many formal rules on how to conduct correctly, others are subjective, and a wide variety of different conducting styles exist depending upon the training and sophistication of the conductor.
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- Entitlements of Participants.
- Dates and Time Schedule of The Workshop
- Masterclass Fees
The workshop will include both orchestral rehearsals and individual conducting lessons and will culminate in the dress rehearsal and a final concert. Each active participant will be entitled for:
W.A. Mozart Symphony KV 550 g minor , version with clarinets, J. Haydn Symphony Nr. 101, D major "Die Uhr", L. Beethoven Symphony Nr. 3, E-flat major "Eroica", J. Brahms - Tragic Overture, Op.81, L. Beethoven - Overture Coriolan,Op.62, L. Beethoven - Overture Egmont,Op. 84, B. Smetana - The Moldau Conductors are expected to purchase and study their scores before the start of the course. It is important that you listen to the chosen pieces and train to conduct them to the extent possible to gain the maximum benefits from the masterclass / workshop.
3rd April - 12.00 - opening of the workshop, four hand piano rehearsal sessions. 4th April - four hand piano rehearsal sessions, evening orchestra rehearsal 5th - 6th - 7th April - orchestra rehearsals. 8th April - Dress rehearsal and the Final public concert All participants will receive the final schedule after the application deadline. All qualifying active participants will conduct at the final public concert and the concert program will be divided among the participants. The concert will be held on 8th April 2017 at 5pm in the North Bohemian Opera and Ballet Theatre.