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  1. Mar 1, 2019 · Despite its humble appearance, Congo Square in the Tremé neighborhood of New Orleans is one of the most important places in the history of music. In the pre-Colombian era, this same land...

  2. Feb 10, 2011 · Congo Square, New Orleans, Louisiana. The area now known as Congo Square, located in the Tremé neighborhood of New Orleans, emerged as an important public activity locale during the early decades of the French colonial period.

  3. www.explorelouisiana.com › african-american-heritage-trail › congo-squareCongo Square | Explore Louisiana

    901 N. Rampart St. New Orleans, LA 70116. Phone. (504) 589-4841. Website. In colonial times, Congo Square was an open-air market where blacks—both enslaved and free—met on “free Sundays” to take part in sacred African rituals, talk, trade, and perform traditional songs and dance, helping lay the foundations for what would later become ...

  4. Congo Square: Mythology and Music. By Adam Majewski & Kate Mason. For many Congo Square is the site that inspires the most fantastical images of enslaved life in New Orleans. From the 1840s to the 1880s, intellectuals and artists like George Washington Cable, Louis Gottschalk, and Lafcadio Hearn brought Congo Square into national imagination as ...

  5. Feb 2, 2023 · Congo Square is the epitome of resilience and Black identity in New Orleans. Going back to the 19th century, the area was known as a gathering space where enslaved and free people of color came together to drum, dance, trade, pray and honor the spirits of their ancestors.

  6. Welcome To Congo Square Connection! This online collection: Perpetuates the history and legacy of Congo Square in New Orleans including its profound influence on the indigenous culture and devoted culture bearers of the city.

  7. Congo Square | Tremé-Lafitte, New Orleans | Attractions - Lonely Planet. Tremé-Lafitte, New Orleans, Louisiana, USA, North America. Tremé-Lafitte. In Louis Armstrong Park, Congo Sq was a Sunday gathering spot for slaves under the French Code Noir.

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