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Dec 24, 1999 · Written and Directed by. Tim Robbins. It was a time when the rich flirted with communists and fascists, when the poor stood in bread lines, when the class divide in America came closer to the boil than ever before or since. The 1930s were a decade when the Depression put millions out of work and government programs were started to create jobs.
Cradle Will Rock Reviews. While writer-director Tim Robbins uses this entertaining film to touch upon capitalism and class warfare, he's mainly interested in championing artistic expression. Full ...
As labor strikes break out throughout the country, New York is alive with cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the ...
- (209)
- Tim Robbins
- R
- Hank Azaria
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Jan 21, 2000 · Cradle Will Rock: Directed by Tim Robbins. With Hank Azaria, Rubén Blades, Joan Cusack, John Cusack. A true story of politics and art in the 1930s U.S., focusing on a leftist musical drama and attempts to stop its production.
- Tim Robbins
- 164
- 2 min
Cradle Will Rock is a 1999 American historical drama film written, produced and directed by Tim Robbins.The story fictionalizes the true events that surrounded the development of the 1937 musical The Cradle Will Rock by Marc Blitzstein; it adapts history to create an account of the original production, bringing in other stories of the time to produce a social commentary on the role of art and ...
- $2.9 million
- December 10, 1999
- $36 million
- David Robbins
May 19, 1999 · Film’s title, curiously minus the initial definite article of its source of inspiration, refers to the polemical musical drama, “The Cradle Will Rock,” written by Marc Blitzstein in 1936 for ...
A Wonderful, Intelligent Film. djsadegh 3 May 2000. Cradle Will Rock has everything I like in a movie - great characters, humor, suspense, depth, and music. The many subplots are woven together in perfect balance, leaving you wanting more of everything at the end, even though the film is over two hours.
