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The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, Cajun, and early Creole music. Zydeco music is centered on the accordion , which leads the rest of the band, and a specialized washboard, called a vest frottoir , as a prominent ...
- Zarico, zodigo, le musique Creole
- Early 20th century, Louisiana
- Piano accordion, Cajun accordion, washboard, electric bass, electric guitar, drum set
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The Creole fiddle, and its contemporary moniker zydeco fiddle, arrived in South Louisiana in the seventeenth century, coming ashore with French-speaking Africans from Saint-Domingue, now Haiti. As both slaves and free people of color, African Americans contributed melodically and formally to American music.
He rarely sang in Creole or English, only in French. Therefore, his blues tunes in French can be categorized as Black Creole music. 'Zydeco' music has three languages: Creole, French and English. [Figure 2]. Some musicians in Louisiana French music prefer to just call it all Creole.
The Music of the Creoles. At the same time that the Cajuns was being transformed by new influences, the African American descendants of slaves who had been brought by force to America were developing their own music, and the music of the two cultures influenced one another.
Hip-hop. Recordings. See also. References. Bibliography. External links. Music of Louisiana. The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French (now known as cajun music), New Orleans, and north Louisiana.
Creole. An exacting definition of Creole is not in order for its definitive origins and nature are highly debated. The musical style developed in New Orleans and in areas of the immediate and adjacent South. Lyrically the texts are from the French patois (patter) with which the French used to communicate with slaves.
