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The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, Cajun, and early Creole music. Zydeco music is centered on the accordion , which leads the rest of the band, and a specialized washboard, called a vest frottoir , as a prominent ...
- Zarico, zodigo, le musique Creole
- Early 20th century, Louisiana
- Piano accordion, Cajun accordion, washboard, electric bass, electric guitar, drum set
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Creole music. The term "Creole music" is used to describe both the early folk or roots music traditions of French and Metis rural Creoles of South Louisiana and the later more contemporary genre called zydeco. It was often simply called French music or La La. It was sung in French patois by Creoles.
Therefore, his blues tunes in French can be categorized as Black Creole music. 'Zydeco' music has three languages: Creole, French and English. [Figure 2]. Some musicians in Louisiana French music prefer to just call it all Creole. This is an older term in Louisiana French music when all black and white French music was simply Creole.
00:00. Excerpt, Zydeco. Music and Mardi Gras are at the heart of both Creole and Cajun rural culture in Louisiana. This clip presents a glimpse into this vibrant world, showing music performances and a Creole Mardi Gras traditional ritual.
Creole. An exacting definition of Creole is not in order for its definitive origins and nature are highly debated. The musical style developed in New Orleans and in areas of the immediate and adjacent South. Lyrically the texts are from the French patois (patter) with which the French used to communicate with slaves.
Much of what we know today of Cajun and Creole music history is based upon these recordings. The accordion returned to prominence after World War II, led in large part by Iry LeJeune, and Nathan Abshire. By this time many Cajun bands featured amplified instruments and were driven by bass and drums.
