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The Symphony No. 1 in E♭ major, K. 16, is a symphony written in 1764 by Wolfgang Amadeus Mozart at the age of eight years. [1] By this time, he was already notable in Europe as a wunderkind performer but had composed little music. The autograph score (handwritten original) of the symphony is today preserved in the Biblioteka Jagiellońska in ...
- 1764
- K. 16
- Three (Molto allegro, Andante, Presto)
- E-flat major
Further spurious and doubtful symphonies can be found at Mozart symphonies of spurious or doubtful authenticity . The symphonies K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08 are lost, and it is uncertain whether they are Mozart's work: they have not been included in the list below. The symphony numbers in the range 42 to 56 are sometimes ...
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Symphony - Mozart, Orchestral, Classical: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. Of his 50-odd symphonies, produced between 1764 and 1788, the earliest ones are conventional but precocious, reflecting influences of Johann Christian Bach, Giovanni Battista Sammartini, and Joseph Haydn. An invigorating first movement predominates ...
Pages in category "Symphonies by Wolfgang Amadeus Mozart". The following 64 pages are in this category, out of 64 total. This list may not reflect recent changes . List of symphonies by Wolfgang Amadeus Mozart. Mozart symphonies of spurious or doubtful authenticity.
Symphonie nº 1 de Mozart; Symphony No. 1; Symfonie nr. 1; Symfoni nr. 1 av Mozart; 1. ... Wikipedia article NMA score NMA report (German) Mozart's Symphonies ...
- 1764-65
- 3 movements
- see belowI.
- Symphony No.1
Historical background. The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form (particularly in the third ...
Symphony No. 31 (‘Paris’) in D major. Mozart adopts a French style of orchestral music in this symphony, written in 1778. The string players are pushed to the fore and the wind section is larger than usual – he even uses clarinets. Rushing scales and lively dynamic changes give this symphony a playful character.
