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  1. en.wikipedia.org › wiki › Dan_LaustsenDan Laustsen - Wikipedia

    Dan Laustsen, ASC, DFF (born 15 June 1954) is a Danish cinematographer. He is a member of the Danish Society of Cinematographers and the American Society of Cinematographers. His career spans four decades, and he has been nominated for and won many prestigious awards, chiefly the Robert Awards.

  2. Cinematographer Dan Laustsen ASC, DFF speaks to ARRI Rental about his camera and lighting techniques on the latest chapter of the John Wick film series, dire...

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    • ARRI Rental
  3. May 24, 2019 · May 24, 2019. Slayin’ in the Rain: John Wick Chapter 3 — Parabellum. Dan Laustsen, ASC, DFF and his collaborators infuse this high-intensity action sequel with a rich color palette and “musical” camerawork. Iain Marcks. American Cinematographer. Cinematographer Dan Laustsen, ASC, DFF. Unit photography by Niko Tavernise.

    • Iain Marcks
  4. Having shot the second and third John Wick films, when exploring the fourth’s visual approach, cinematographer Dan Laustsen ASC DFF ( The Shape of Water, Nightmare Alley, Silent Hill) agreed with Stahelski it should be “even more powerful and creative, and with even more stunts”.

  5. In Nightmare Alley, a clear filmmaking ambition combines emotional visual storytelling, tension-building camera movement, and classic Hollywood lighting to chart the rise and fall of a charming and ambitious carny turned con man. Dan Laustsen ASC DFF, director Guillermo del Toro and their key collaborators share how they created a powerful ...

  6. Dec 12, 2023 · Dan Laustsen, ASC, DFF is a cinematographer whose credits include Crimson Peak (2015), The Shape of Water (2017), John Wick: Chapter 2 (2017), and Nightmare Alley (2021). He received both Academy Award and ASC Award nominations in 2018 and 2022 for his work on The Shape of Water and Nightmare Alley , respectively.

  7. Apr 18, 2019 · In this episode of "ZEISS presents: Talking Cinematography" cinematographer Dan Laustsen ASC, DFF talks about working with Master Primes and Master Anamorphi...

    • Apr 18, 2019
    • 4.4K
    • ZEISS Cinematography
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