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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
- Italian Neorealism
Italian neorealism (Italian: Neorealismo), also known as the...
- German Expressionism
The style extended to a wide range of the arts, including...
- Robert Siodmak
Early life. Siodmak was born in Dresden, Germany, the son of...
- Stranger on The Third Floor
Stranger on the Third Floor is a 1940 American film noir...
- The Big Combo
The Big Combo is a 1955 American crime film noir directed by...
- Italian Neorealism
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Jul 19, 2021 · Where film noir gained potency from its distorted yet crystalline reflections of a starkly stratified, economically depressed society—a world of detours down nightmare alleys at nightfall—neonoir applied a carefully filigreed lens of nostalgia, aligning it with the returns to western and gangster-movie forms that served as the foundations ...
- Ballet
- Ballroom
- Hip Hop/Street
- Swing
- Tango
- Other
The Red Shoes (1948) - Film classic with dance editing far ahead of its time. Directed by Michael Powell and Emeric Pressburger, starring Moira Shearer. Intricately weaving backstage life with the...The Tales of Hoffmann (1951) - Directed by Michael Powell and Emeric Pressburger, starring Moira Shearer and Ludmilla Tchérina. Film version of Jacques Offenbach's opera but making full use of film...An American in Paris (1951) - Oscar-winning musical based on George Gershwin's compositions starring Gene Kelly and Leslie Caron.The Story of Vernon and Irene Castle (1939) - documentary-style biopic about early ballroom dance stars Vernon and Irene Castle.Roseland (1977) - The film is made up of three connected short features, The Waltz, The Hustle and The Peabody. All three stories share a theme of the protagonists trying to find the right dance pa...Strictly Ballroom (1992) - plot based on competitive ballroom dance.With the Whiteys Lindy Hoppers 1. A Day at the Racesby Sam Wood (1937) 2. Hellzapoppin'by Henry C. Potter (1941) Modern films 1. The Jungle Bookby Walt Disney (1967) 2. Malcolm Xby Spike Lee (1992) 3. Swing Kidsby Thomas Carter (1993) 4. The Maskby Chuck Russell (1994) 5. Love N' Dancingby Robert Iscove (2009) 6. Toy Storyshort film (2009) 7. Midni...
The Four Horsemen of the Apocalypse (1921) starring Rudolph Valentino.Scent of a Woman, starring Al Pacino and directed by Martin Brest.The Tango Lesson (1997) - starring Sally Potter and Pablo Verón, directed by Sally Potter.Tango (1998) - starring Cecilia Narova and Mía Maestro, directed by Carlos Saura. Popular dancers and folk groups demonstrate what is considered to be the national dance of Argentina. Over 300 danc...Shall We Dance (1937) - a Fred Astaire/Ginger Rogersmusical with much dance, including ballet. One of the most memorable dances is on roller skates.Singin' in the Rain (1952) - starring Gene Kelly.Oh... Rosalinda!! (1955) - Directed by Michael Powell and Emeric Pressburger, starring Anton Walbrook and Ludmilla Tchérina. Based on the operetta Die Fledermaus by Johann Strauss but updated to ta...The King and I (1956) - starring Yul Brynner and Deborah Kerrhas many unique dance scenes, but the most memorable is "Shall we dance" sung by Kerr where they waltz alone in the royal ballroom.People also ask
What is dance-pop music?
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Dance-pop is a subgenre of pop music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio.
- Late 1970s to early 1980s, United States and United Kingdom
In the second cycle of noir films, Jerry Goldsmith's nondiegetic score for the. 130-minute Chinatown contains only twenty minutes of music, and for the 1974 film The Taking of Pelham 1-2-3 (Joseph Sargent), David Shire composed thirty. minutes of music, only about twenty of which ended up in the finished film.
Oct 15, 2021 · Jazz and the urban nightclub milieu became the sound and space for illicit activity in film noir. Jazz infused shadowy-styled crime films conveying a distinctive seedy atmosphere of nightlife, booze, cabarets, speakeasies and ‘taboo’ Jazz Age prohibitions.
