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  1. Dancer in the Dark

    Dancer in the Dark

    R2000 · Drama · 2h 20m

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  2. Oct 20, 2000 · "Dancer in the Dark" is a brave throwback to the fundamentals of the cinema--to heroines and villains, noble sacrifices and dastardly betrayals. The relatively crude visual look underlines the movie's abandonment of slick modernism.

  3. Dancer in the Dark R Now Playing 2h 20m Drama List 70% Tomatometer 122 Reviews 91% Audience Score 50,000+ Ratings Selma is a Czech immigrant, a single mother working in a factory in rural...

    • (121)
    • Lars Von Trier
    • R
    • Björk
  4. Sep 22, 2000 · Directed By: Lars von Trier. Written By: Lars von Trier, Sjón. Dancer in the Dark. Metascore Generally Favorable Based on 33 Critic Reviews. 63. User Score Universal Acclaim Based on 202 User Ratings. 8.4. My Score. Hover and click to give a rating. Add My Review. Where to Watch. Amazon ($2.99) All Watch Options. View All. Björk. Selma Jezkova.

    • (33)
    • Björk
    • R
  5. Odd, bleak, but ultimately transfixing musical drama, pop singer Björk immerses herself completely in this tailor-made role. gbrumburgh 31 May 2001. The reviews were extremely black and white for this art-house film. People were either enthralled or bored to tears by the whole experience.

  6. Dancer in the Dark Reviews. All Critics. Top Critics. All Audience. Verified Audience. Theo Estes The Spool. Dancer in the Dark critiques the relentless optimism of mid-century...

  7. At the review aggregator Rotten Tomatoes, Dancer in the Dark earned positive reviews from 70% of 122 critics, with an average rating of 6.8/10. The critics consensus on the website reads, " Dancer in Dark can be grim, dull, and difficult to watch, but even so, it has a powerful and moving performance from Björk and is something quite new and ...

  8. Oct 6, 2000 · Dancer in the Dark: Directed by Lars von Trier. With Björk, Catherine Deneuve, David Morse, Peter Stormare. An Eastern European US immigrant with a love for musicals has to cope with the gradual loss of her vision.

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