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  1. Fight Club Summary | GradeSaver

    www.gradesaver.com › fight-club-novel › study-guide
    • Content
    • Synopsis
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    The Narrator and Tyler Durden are standing on top of the Parker-Morris building, which is rigged with explosives. Tyler is holding a gun in the Narrators mouth. The Narrator takes us back in time to how he ended up at this point. The Narrator is a bored, aimless office worker whose life has become a meaningless cycle. He works as a recall campaign coordinator. He participates in the consumer-driven goals of his culture. He lives in a nice condominium apartment filled with hip, clever designer furniture. He spends his time wondering about what kind of lamps and chairs will define him as a person. Because of the unhappiness in his life, the Narrator develops insomnia. He goes to work in a daze and after a few weeks is desperate for sleep. He goes to see a doctor. The doctor dismisses his issues and tells him that if he wanted to see real pain he should see some of the people in support groups with real problems. The Narrator takes his advice and begins visiting support groups. He becomes addicted to them. He pretends to be afflicted with various medical issues and diseases so that he can attend meetings. Here he meets Big Bob, an ex-body builder and steroid abuser whose testicles had to be removed. During an embrace with Bob, the Narrator cries and lets go of his hope. That night, he can finally sleep. He continues to go to the groups every night so that he can cry and be comforted. The Narrator flies around the country visiting car accident sites. His company is a car manufacturer and his job is to determine if the cars they make have defects that might have contributed to an accident. His job is to assess the risk and determine if a recall is worthwhile. If out-of-court settlements cost less, no recall will be initiated. Burned out from traveling, the Narrator takes a vacation. He visits a nude beach where he meets Tyler Durden, a charismatic man who makes soap for a living. Tyler gives him his phone number. After returning home, the Narrator finds that his condominium has blown up in a suspicious explosion. He calls Tyler, who meets him at a bar. After many drinks Tyler tells the Narrator that he can move in with him, but he has to do him a favor. Tyler asks the Narrator to hit him as hard as he can. They engage in a messy fight. This is the germination of fight club. Tyler and the Narrator continue to fight in bars and parking lots, attracting the attention of other men. Fight club starts to grow. The Narrator begins seeing men in his day-to-day life with cuts and bruises on their faces. He begins taking less and less interest in his work, much to the chagrin of his boss. Tyler and the Narrator work a series of night jobs where they also commit acts of civil disobedience. One night the Narrator has a dream that he is having sex with Marla Singer. The next morning Tyler tells him that he met Marla last night and the two of them had sex. The Narrator is angered. Marla was the reason he couldnt enjoy the support groups, and she has invaded his home life with Tyler too. With Marla in the picture, he will also get less of Tylers attention. He comes home every day from work to hear Marla and Tyler having sex and calling each other names. The Narrator finds that everywhere he travels men seem to recognize and address him as sir. As he travels around the country he asks these men if they know where Tyler is. They point him toward Seattle. In Seattle, the Narrator meets a bartender in a neck brace who addresses him as Mr. Durden. The Narrator runs back to his hotel room and calls Marla to find out if the two of them have had sex. Marla is mystified by his question and upset with his behavior. He asks her what his name is. She tells him it is Tyler Durden.

    Tyler has meanwhile set up a fairly lucrative business selling soap. One night he shows the Narrator how to make soap. Using a can of lye he burns the Narrators hand and tells him that he has much farther to go to reach rock bottom. The Narrator, Tyler says, needs to accept that one day he will die. Tyler and the Narrator decide that they need to blackmail their bosses for the civil disobedience they have been committing on the job. After ensuring checks will continue to be sent to them even though they wont be working, they are able to focus all their time on fight club. The Narrator learns that Bob has also joined fight club and that there are chapters of fight club that he didnt even know about.

    Tyler decides to escalate his civil disobedience into a larger project called Project Mayhem. He recruits fight club members to join and begins amassing a large following. He hands out homework assignments for the members, including the Narrator. After a while, Tyler suddenly disappears.

    Tyler returns and is upset with the Narrator for discussing him with Marla behind his back. Project Mayhem has begun to take on more extreme assignments and is growing in its number of members. While on an assignment, Bob is killed by a police man. His death prompts the Narrator to try to shut down fight club, but he is thrown out by its members instead. Upon arriving at work one morning he discovers that his boss is dead. Worse yet, the Narrator knows Tyler is the one who killed him, which means that he killed him, though not wittingly. He boards a bus and tries to get away from the scene before he is spotted. The other passengers are all members of Project Mayhem. They tell him that they have orders to castrate him for trying to shut down fight club. They corner him and knock him out with ether. The Narrator wakes up in the remains of his condominium. He has not been castrated. He decides he has to warn Marla about who Tyler really is. She may be in danger. She reluctantly meets him and tells him that he murdered someone. He says he knows about his boss but Marla tells him that he shot another man who was investigating fight club for the mayor. The Narrator has no recollection of this at the time but later begins to remember the details. Out of guilt he visits a fight club location and signs up to fight every member there. He wants to die because of the guilt he feels at the deaths of Bob, his boss, and now a third person. He passes out on the floor during a fight. He wakes up in the house he shares with Tyler. Tyler is there. He tells the Narrator that it is time for his grand operatic death. We return to the roof of the Parker-Morris building where Tyler is holding a gun in the Narrators mouth. Before he can pull the trigger, Marla and the other support group members show up and tell him to stop. He warns them that the building is set to be demolished by explosives but they do not leave. Marla tells him that she likes him too. He understands that he created Tyler so that he could be with Marla. The clock ticks down to zero but there is no explosion. Despite the protests of Marla and the crowd he still fires a bullet through his cheek.

  2. Death, Pain, and the “Real” Theme in Fight Club | LitCharts

    www.litcharts.com › lit › fight-club

    By starting the fight club (and visiting cancer support groups before that), the Narrator and Tyler are trying to exist “in the moment”—they want to feel pain in order to move closer to a visceral, physical world that they cannot access in the course of their ordinary lives.

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  4. FIGHT CLUB: analysis and differences between the movie and ...

    francesinwonderland.wordpress.com › 2015/06/15

    Jun 15, 2015 · “The first rule of Fight club is: You do not talk about Fight club” - for that matter, also the second rule says that you do not talk about Fight club. But the famous film of David Fincher (1999), based on the 1996 novel of the same name by Chuck Palahniuk, got, and still gets,…

  5. Fight Club: Marx & Hegel in the Pitt – There It Is . org

    thereitis.org › fight-club-marx-hegel-in-the-pitt

    Fight Club grows into so-called “Project Mayhem,” which launches large-scale, organized vandalistic attacks on the oppressive powers that be. Jack ultimately sees in this development that the reactionary categories that define Fight Club foster a form of disposability that parallels the rejected capitalist madness.

  6. In Fight Club, the proletariat group is Tyler, the protagonist, Marla, and those in Fight Club. On the other hand, the bourgeoisie group is the protagonist’s boss, and those who Tyler takes revenge on.

  7. Fight Club Book Summary, by Chuck Palahniuk | Allen Cheng

    www.allencheng.com › fight-club-book-summary-chuck
    • In the movie Fight Club, a man named Tyler Durden is holding a gun to another man’s head. The narrator of the story thinks about ways to make explosives and silencers.
    • The Narrator remembers a man named Bob, who had huge breasts because he was undergoing hormone therapy after having his testicles removed. He thought that the Narrator also lost his testicles to cancer and encouraged him to cry.
    • The narrator is going to talk about how he met Tyler Durden. He was familiar with almost all major airports because of his job, and it turns out that Tyler worked at a movie theater as a projectionist.
    • The narrator went to his usual testicular cancer support group, but he couldn’t cry like everyone else. He kept thinking about Marla and how she was always judging him for being a faker.
  8. The First Rule of Worklife Freedom: ‘Fight Club’ or ‘The Four ...

    medium.com › applaudience › the-first-rule-of

    Jun 12, 2016 · Like Fight Club, The Four-Hour Workweek offers its own guiding principles. Ferriss explains the acronym, D.E.A.L., which is the framework of his book and the guidelines for becoming the New Rich.

  9. What is the message in the Fight Club movie? Is it worth ...

    www.quora.com › What-is-the-message-in-the-Fight

    Fight club is about nihilistic escapism, symbolised by the ideation of the narrator and the execution by Tyler. It reflects on the masochistic expression of an existential void in the modern world which the narrator tries to fill with materialistic pursuits in the beginning and later resorts to false pretentious companionship based on a fraudulent shared grief.

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