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Daves then wrote, directed and produced Youngblood Hawke (1964) and The Battle of the Villa Fiorita (1965). He retired after Villa Florita was released. Daves was married to actress Mary Lawrence from 1938 until he died on August 17, 1977.
- July 24, 1904, San Francisco, California
- August 17, 1977 (aged 73), La Jolla, California
A Summer Place is a 1959 American romantic drama film based on Sloan Wilson 's 1958 novel of the same name, about teenage lovers from different classes who get back together 20 years later, and then must deal with the passionate love affair of their own teenage children by previous marriages.
- November 18, 1959 (United States)
- Max Steiner
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Apr 22, 2024 · Delmer Daves was an American writer and director of motion pictures who worked in a number of genres but was best known for his westerns, which include Broken Arrow (1950), The Last Wagon (1956), and 3:10 to Yuma (1957).
- Michael Barson
Mary Lawrence (May 17, 1918 – September 24, 1991) was an American actress, who had a lengthy career in film and television. She was the wife of film director Delmer Daves . She had a recurring role in the syndicated television series Casey Jones, where she played Jones' wife Alice with Alan Hale Jr. as her husband.
Jun 25, 2015 · Delmer Daves was born in San Francisco in 1904 (so was probably three years older than Mann) and studied law at Stanford. He became fascinated with motion pictures. He said, “My first career was the law – I did graduate law work at Stanford, had my office picked out and everything. I’d acted in twenty plays and directed some, too.
Mini Bio. Although Delmer Daves obtained a law degree at Stanford University, he never had the opportunity to use it; while still in college, he obtained a job as a prop boy on The Covered Wagon (1923) and after graduation was hired by several film companies as a technical advisor on films with a college background.
May 14, 2013 · In the story, the deputy refers to his wife and children, but in the film, we come face-to-face with Evans’s family, and so does Wade. In the story, there is a flash of kinship between guard and prisoner, which is expanded and compellingly complicated in the film—giving rise to the enigma of Wade’s generosity at the final, crucial moment.
