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  1. Denise Poirier is an American actress. She is best known for playing the character of Æon Flux in the MTV animated series of the same name.. She also had prominent roles in Reign: The Conqueror, HBO's Spawn, and the 1998 Urban Vision Entertainment dub of Golgo 13: Queen Bee, the Vampire Hunter D video game, as well as guest appearances on Seinfeld, Frasier, Murphy Brown, and 3rd Rock from the ...

  2. Jul 14, 2021 · Denise Poirier, better known by the Family name Denise Poirier, is a popular Actor. Know her, Estimated Net Worth, Age, Biography Wikipedia Wiki

  3. Denise Poirier-Rivard. Denise Poirier-Rivard (born May 19, 1941) is a Canadian politician. Poirier-Rivard was a Bloc Québécois member of the House of Commons of Canada representing the district of Châteauguay—Saint-Constant. First elected in the 2004 election. Poirier-Rivard was the Bloc's critic of the Agriculture and Agri-Food .

  4. Denise Poirier Death Fact Check. Denise is alive and kicking. Please ignore rumors and hoaxes. If you have any unfortunate news that this page should be update with, please let us know using this form.

  5. Denise Poirier is an American actress and voice actress best known for playing the character of Æon Flux in the MTV animated series of the same name.. She also had prominent roles in Reign: The Conqueror, HBO's Spawn, and the 1998 Urban Vision Entertainment dub of Golgo 13: Queen Bee, the Vampire Hunter D video game, as well as guest appearances on Seinfeld, Frasier, Murphy Brown, and 3rd ...

    • Origin
    • Artists and Writers
    • Influences and Adaptations
    • The Vault-Keeper
    • Demise
    • Reprints
    • Media Adaptations
    • Sources

    Horror comics emerged as a distinct comic book genre after World War II when young adult males lost interest in caped crimebusters and returning GIs wanted more potent themes in their reading. One-shot Eerie (1947) is generally considered the first true horror comic with its cover depicting a dagger-wielding, red-eyed ghoul threatening a rope-bound, scantily clad, voluptuous young woman beneath a full moon. In 1948, Adventures Into the Unknownbecame the first regularly published horror title, enjoying a nearly two decade lifespan. In 1950, William Gaines and his editor Al Feldstein discovered they shared similar tastes in horror and began experimenting with such stories in EC's crime comic War Against Crime and its companion title, Crime Patrol. With issue #12 the War Against Crime title was replaced with The Vault of Horror. The Vault-Keeper became the title's sardonic host and commentator, occasionally sharing duties with the Old Witch and the Crypt-Keeper. Due to an attempt to sa...

    Like its horror companion titles, Tales from the Crypt and The Haunt of Fear, The Vault of Horror had its own distinctive qualities and atmosphere—in this case, created by its main artist, Johnny Craig. Craig illustrated all the covers for the entire run and was responsible for the lead story of all but issues #13 and #33. He also wrote all his own stories (save two) in Vault, something rarely done at EC, and became editor with issue #35 (February, 1954). Gaines and Feldstein wrote almost every other story until late 1953/early 1954 when outside writers Carl Wessler and Jack Oleck were brought in. Other contributing artists to The Vault of Horror were Feldstein, George Evans, Jack Kamen, Wally Wood, Graham Ingels, Harvey Kurtzman, Jack Davis, Sid Check, Al Williamson, Joe Orlando, Reed Crandall, Bernard Krigstein, Harry Harrisonand Howard Larsen.

    As with the other EC comics edited by Feldstein, the stories in this comic were primarily based on Gaines using existing horror stories and films to develop "springboards" from which he and Feldstein could launch new stories. Specific story influences that have been identified include the following: 1. "Portrait in Wax" (issue 12) – Michael Curtiz's The Mystery of the Wax Museum 2. "Island of Death" (issue 13) – Richard Connell's "The Most Dangerous Game" 3. "Fitting Punishment" (issue 16) – H. P. Lovecraft's "In the Vault" 4. "Terror on the Moors" (issue 17) – Clark Ashton Smith's "The Nameless Offspring" 5. "Baby It's Cold Inside" (issue 17) – H. P. Lovecraft's "Cool Air" 6. "Voodoo Horror" (issue 17) – Oscar Wilde's The Picture of Dorian Gray 7. "The Jellyfish" (issue 19) – Ray Bradbury's "Skeleton" 8. "Daddy Lost His Head" (issue 19) – Robert Bloch's "Sweets to the Sweet" 9. "Grandma's Ghost" (issue 20) – Stephen Grendon's "Mr. George" 10. "The Monster in the Ice" (issue 22) – C...

    Although EC's horror stable consisted of three separate magazines, there was little beyond their titles to distinguish them. Each magazine had its titular host, but the hosting duties for any one issue were typically shared with the hosts of the other two. Thus, a single issue of The Vault of Horror would contain two stories told by the Vault-Keeper, one by the Crypt-Keeper (of Tales from the Crypt) and one by the Old Witch (of The Haunt of Fear). The professional rivalry between these three GhoulLunatics was often played for comic effect. The Vault-Keeper was the primary host of The Vault of Horror. He was introduced to the public in War against Crime #10, and he continued in that magazine through its change in title and format. He was a frightening presence in those early issues, an ancient inquisitor, hooded and robed, presiding over the empty dungeon of his bloody past. But he soon evolved into a more comedic horror host, delivering an irreverent and pun-filled commentary to lig...

    In 1954, Gaines and Feldstein intended to add a fourth book to their horror publications by reactivating an earlier title, The Crypt of Terror. They were stopped dead in their tracks, however. American horror and other violent comics had come under scrutiny by moralizing parents, schoolteachers, clergymen, psychologists, and others who viewed the material as dangerous to the well-being of children and a significant contributor to the juvenile delinquency crisis in America (although the formulaic nature of the books usually resulted in truly immoral characters receiving a well-deserved, if gruesome, comeupance.) Matters came to a head in April and June 1954 with a highly publicized Senate Subcommittee on Juvenile Delinquency. Hearings targeted violent comic books—which fared poorly in the proceedings. While the committee stopped short of blaming the comics industry for juvenile delinquency, they did suggest it tone down the product. Publishers were left reeling. The industry avoided...

    The Vault of Horror has been reprinted on numerous occasions. Ballantine Books reprinted selected Vault stories in a series of paperback EC anthologies in 1964–66. Other Vault stories were reprinted in Horror Comics of the 1950s by Nostalgia Press (1971), edited by Bhob Stewart and Ron Barlow. Publisher Russ Cochran released six issues of his EC Portfolio (1971–77). East Coast Comix reprinted issue #26 in the early 1970s. The magazine was fully collected in a series of five black-and-white hardbacks by Cochran as part of The Complete EC Library in the early 1980s. Cochran also reprinted the title in a standard comic book format (out of sequence) during the early 1990s in association with Gladstone Publishing. Cochran eventually reprinted the run in proper sequence during the later 1990s with Gemstone Publishing. This complete run was later rebound, with covers included, in a series of six softcover EC Annuals. In 2007, Cochran and Gemstone began to publish hardcover, re-colored volu...

    The Vault of Horror story And All Through the House (#35) was adapted to motion picture in Freddie Francis' Tales from the Crypt (1972). The 1973 film The Vault of Horroris titled after this comic, but no stories from this comic were actually adapted for this film. Vault stories were also adapted for the Tales from the Crypt television series that aired on HBO (1989). The following stories were used in the television series: Horror in the Night (Issue #12), Doctor of Horror (#13), Report from the Grave (#15), Fitting Punishment (#16), Werewolf Concerto (#16), Revenge Is the Nuts (#20), The Reluctant Vampire (#20), Dead Wait (#23), Staired in Horror (#23), 99 & 44/100% Pure Horror (#23), Collection Completed (#25), Seance (#25), Half-Way Horrible (#26), People Who Live in Brass Hearses (#27), 'Til Death (#28), Split Personality (#30), Easel Kill Ya (#31), Whirlpool (#32), Strung Along (#33), Let The Punishment Fit The Crime (#33), A Slight Case of Murder (#33), Smoke Wrings (#34), An...

    Goulart, Ron. Great American Comic Books. Publications International, Ltd., 2001. ISBN 0-7853-5590-1.
    Overstreet, Robert L. Official Overstreet Comic Book Price Guide. House of Collectibles, 2004.
  6. › wiki › ÆonFluxÆon Flux - Wikipedia

    Often her death is caused by fate, while other times she dies due to her own incompetence. One of the half-hour episodes, "A Last Time for Everything", ends with the original Æon being killed and replaced by an identical clone. (In the episode "Chronophasia", Æon is apparently killed repeatedly by a monstrous baby, but the reality of these events is ambiguous.

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