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  1. Ultimately, Der Rosenkavalier contains some of the most sublime music known to man and the highlights, such as the “Presentation of the Silver Rose” scene and the concluding trio and duet, when the Marschallin renounces any claim on Rofrano and yields him to the ecstasy of love for Sophie,

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  2. Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de Pourceaugnac . [3]

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  4. The Marschallin, with much bittersweet feeling, yields her place to the younger woman, and the trio becomes a duet for Sophie and Octavian. “We are together,” Octavian proclaims. “All else is like a dream.”. Betsy Schwarm. Der Rosenkavalier, comic opera in three acts by German composer Richard Strauss (German libretto by Austrian ...

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  5. Der Baron Ochs auf Lerchenau, Baron (Basso) Octavian, Marschallin’s young lover (Mezzo) Herr von Faninal, rich merchant who has just acquired a noble title (Baritone) Sophie, his daughter (Soprano) Valzacchi, Conspirator (Tenor) Annina, his accomplice (Contralto) A singer (Tenor) A notary (Basso) reservation@music-opera.com +33(0)1 53 59 39 29

  6. Der Rosenkavalier. Alt ernative Title. Komödie für Musik in drei Akten. Name Translations. 玫瑰騎士; Il cavaliere della rosa; Rosenkavaleren; Ruusuritari; ばらの騎士; Name Aliases. Кавалер розы (опера); Кавалер роз (опера); Le Chevalier à la rose (Richard Strauss); Le chevalier à la rose; Le Chevalier ...

    • Komödie für Musik in drei Akten
    • Der Rosenkavalier
  7. Der Rosenkavalier, suite, TrV 227d (Strauss, Richard) This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies.

  8. Apr 7, 2017 · The biggest contrast, however, will be visual. Beginning in 1969, the Metropolitan Opera offered “Rosenkavalier” in a beloved production, designed by Robert O’Hearn, that worked mightily to ...

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