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  1. Dial M for Murder

    Dial M for Murder

    PG1954 · Thriller · 1h 45m

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  2. Dial M for Murder may be slightly off-peak Hitchcock, but by any other standard, it's a sophisticated, chillingly sinister thriller -- and one that boasts an unforgettable performance from...

    • Ray Milland

      Dial M for Murder. The Man With the X-Ray Eyes. Photos TILL...

  3. User reviews. Trivia. FAQ. IMDbPro. All topics. Dial M for Murder. 1954. PG. 1h 45m. IMDb RATING. 8.2 /10. 189K. YOUR RATING. Rate. POPULARITY. 3,610. 94. Play trailer 2:34. 2 Videos. 99+ Photos. Crime Thriller. A former tennis star arranges the murder of his adulterous wife. Director. Alfred Hitchcock. Writer. Frederick Knott. Stars. Ray Milland.

    • (184K)
    • Crime, Thriller
    • Alfred Hitchcock
    • 1954-05-29
  4. 436 Reviews. Hide Spoilers. Sort by: Filter by Rating: 7/10. M for masterful. Lejink 4 September 2010. A treat for the eyes and exercise for the brain, "Dial M For Murder" is Hitchcock's second "drawing-room perfect murder" movie, after "Rope", the latter a darker and more sinister affair altogether.

  5. Dec 14, 2023 · By Catey Sullivan | For the Sun-Times. Dec 14, 2023, 3:30am PDT. Inspector Hubbard (Nick Sandys, left) is getting to the truth in the case of Margot (Lucy Carapetyan) and her husband, Tony (Ryan ...

  6. Parents say ( 3 ): Kids say ( 6 ): While not in the pantheon of Hitchcock's greatest achievements, DIAL M FOR MURDER is still considered a classic by many. Its intricate plotting, carefully built tension, and the scheming nature of its debonair would-be murderer keep the talky film moving despite its singular, interior setting.

    • Alfred Hitchcock
    • Renee Schonfeld
    • Grace Kelly, Ray Milland, Robert Cummings
  7. Mar 31, 2006 · 28 May 1954. Running Time: 105 minutes. Certificate: PG. Original Title: Dial M For Murder. Alfred Hitchcock was struggling with a project called The Bramble Bush, a mistaken identity yarn...

  8. Aug 6, 2012 · Dial M for Murder has a romping plot, a gloriously slimy villain and – thanks to the fact that (as in Rope before and Rear Window after) the action is mostly constrained to one room – some...

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