These elements would become typical for disco music and are found in several of the hits they produced in the early 1970s:
- " Love Train " by the O'Jays (with M.F.S.B. as the backup band) was released in 1972 and topped the Billboard Hot 100 in...
- " The Love I Lost " by Harold Melvin & the Blue Notes (1973)
- " Now That We Found Love " by The O'Jays (1973), later a hit for...
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These elements would become typical for disco music and are found in several of the hits they produced in the early 1970s: " Love Train " by the O'Jays (with M.F.S.B. as the backup band) was released in 1972 and topped the Billboard Hot 100 in... " The Love I Lost " by Harold Melvin & the Blue Notes ...
Pages in category "Disco songs" The following 200 pages are in this category, out of approximately 393 total. This list may not reflect recent changes ().(previous page) ()
Disco music was an up-tempo form of music which included elements of soul, funk and Latin music. It had a strong beat meant for dancing, a steady four-on-the-floor rhythm, and a big bass line, and orchestral instrumentation often included string sections. Disco is dance music too.
A genre of music that grew out of 1960s and 1970s Funk and Soul. disco was a popular form of dance music, known especially for its thudding 4/4 beat, and typically lush arrangements. Good for roller skating. Many lyrics were about thinking about sex, dancing or just having a good time, though there were a few socially conscious disco songs.
Dance Club Songs is a chart published weekly by Billboard Magazine in the United States. It is a national survey of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by Billboard to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending f
In music, the terms Afro/cosmic disco, the cosmic sound, free-style sound, and combinations thereof (cosmic Afro, Afro-cosmic, Afro-freestyle, etc., as well as Afro-funky) are used somewhat interchangeably to describe various forms of synthesizer-heavy and/or African-influenced dance music and methods of DJing that were originally developed and promoted by a small number of DJs in certain discothèques of Northern Italy from the late 1970s through the mid-1980s.
In the late 1960s bands such as Silver Apples created electronic music intended for dancing. Other early examples of music that influenced later electronic dance music include Jamaican dub music during the late 1960s to 1970s, the synthesizer-based disco music of Italian producer Giorgio Moroder in the late 1970s, and the electro-pop of Kraftwerk and Yellow Magic Orchestra in the mid-to-late ...
Disco became so popular by the late 1970s that record companies pushed even non-disco artists (R&B bands, for example) to produce disco songs. When the backlash against disco started, known as " Disco sucks ", dance music went from being produced by major label studios to being created by DJs in the underground club scene.
The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.
The single was the first released by the Cleveland-based Sweet City record label in April 1976 and distributed by Epic Records. The performers on the recording included lead singer Parissi, electric guitarist Bryan Bassett, bassist Allen Wentz, and drummer Ron Beitle, with session players Chuck Berginc, Jack Brndiar (trumpets), and Joe Eckert and Rick Singer (saxes) on the horn riff that runs throughout the song's verses.