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  1. Feb 12, 1994 · Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists ' reliance on the self-referential trace of the ...

    • American
    • June 3, 1928
    • Excelsior Springs, Missouri
    • February 12, 1994
  2. Feb 27, 2020 · Published Feb. 27, 2020 Updated Feb. 28, 2020. I wonder if it even occurs to young artists in the globalist, pluralist present to try to stake out a spot in art history by changing the way...

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  4. Apr 29, 2024 · Donald Judd, American artist and critic associated with Minimalism. Judds sculpture was based almost exclusively on the box form—either alone or in series of modules, on the wall or on the floor—with artworks varying in color, material, scale, proportion, and number.

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  5. www.moma.org › artists › 2948Donald Judd | MoMA

    Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.

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  6. en.wikipedia.org › wiki › Donald_JuddDonald Judd - Wikipedia

    Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. [1] [2] In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.

  7. Mar 2, 2020 · The Art World. The Cold, Imperious Beauty of Donald Judd. At MOMA, a retrospective of the artists work showcases his rigorous visual intelligence. By Peter Schjeldahl. March 2, 2020....

  8. 1967. Judd once wrote, “The main virtue of geometric shapes is that they aren't organic, as all art otherwise is.”. Untitled is made of rectangular metal boxes: a simple geometric form the artist favored because he felt it carried no symbolic meaning.

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