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  1. en.wikipedia.org › wiki › DonatelloDonatello - Wikipedia

    Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), known mononymously as Donatello (English: / ˌ d ɒ n ə ˈ t ɛ l oʊ / Italian: [donaˈtɛllo]), was an Italian sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture.

  2. Apr 2, 2014 · Learn about Donatello, one of the most influential sculptors of the 15th century in Italy, known for his marble works David and St. Mark. Explore his life, style, achievements and legacy in this comprehensive biography.

  3. Aug 26, 2020 · Donatello (c. 1386-1466 CE), full name Donato di Niccolo di Betto Bardi, was an Italian Renaissance artist best known for his sculptures such as the striking bronze figure of David now in the Bargello museum of his native Florence. Donatello was influential in popularising the classicizing style where Renaissance artists looked to the surviving ...

    • Mark Cartwright
  4. An overview of the life and work of Donatello, the greatest sculptor of the early Renaissance. Learn about his masterpieces, such as the marble Saint George, the bronze David, and the fountain figure of a winged infant, and how he influenced Italian and European artists.

  5. Learn about the life, works, and legacy of Donatello, the most important sculptor to resuscitate classical sculpture from its tomb in antiquity. Explore his biography, artistic style, influences, and achievements in various mediums such as stone, bronze, wood, and wax. Discover his realistic and emotive depictions of mythical, historical, and everyday figures that exemplify Renaissance Humanism.

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  7. Donatello was a master sculptor of the Italian Renaissance, known for his realistic and individualistic style. He created famous statues of David, Zuccone, and Gattamelata in bronze and marble. He also worked on reliefs and doors for the Medici family and other churches. Learn more about his life, art, and legacy on Wikiart.org.

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