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The winged figure in Melencolia I has inspired many readings over its long history, although her ties to mathematical knowledge are often highlighted.
Dürer’s intellect, introspection, and unrelenting perfectionism may have driven him to a state of melancholia—what is now known as depression. Dürer’s famed Melencolia I engraving of 1514 has been called the artist’s psychological self-portrait, and indeed the image does convey the terrible struggle of high expectations and ...
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Dürer’s personification of the melancholic temperament in his most famous print, Melencolia I, shows a brooding, inactive figure who sits under an hourglass, weighed down by her own thoughts and surrounded by the unused tools of creative endeavour and scientific research.Dürer’s representation was based upon the belief current in Renaissance humanist circles that melancholy was ...
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Melencolia I. In 1513-1514, Dürer made three "master engravings ", similar in format, among them Melencolia I, whose enigmatic symbols and multifarious meanings have made it one of the most often discussed works in art history. The title refers to the theory of temperaments, which was of ancient origin but survived into the Middle Ages and the ...
Mar 18, 2011 · Albrecht Dürer's Melencolia I has cut its black lines deep into the modern imagination. It shows a winged being who sits in apparent dejection, surrounded by unused objects of science, craft and ...
