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Jun 25, 2010 · Bette in the early 40s was given this slightly strange hairdo that involved impossibly short bangs paired with long, side-parted hair that curled at the end. She has lovely hair, and she had similar hair in the early 1930s when she was blonded up for movies like “Fashions of 1934,” but this is different. When her hair is pulled back in ...
Dec 13, 2014 · It must have been frightening to have out-lived her own era. As biographers Lynn Kear and John Rossman pointed out in their Kay Francis: A Passionate Life and Career, Kay’s world was in art deco surroundings while gowned in a breath-taking Orry-Kelly creation. To think of her in the turbulent 1960’s is almost impossible.
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She writes in her diary, “I guess I should be very happy.”. 1931. January 11. Kenneth proposes marriage to Kay. January 17. Kay Francis marries Kenneth MacKenna in Avalon, California. January 21. Kay signs her first contract with Warner Bros,, which pays her $2,000 a week (at Paramount, Kay received $750 weekly).
1h 30m1940. Overview. Synopsis. Credits. Photos & Videos. Film Details. Articles & Reviews. Trivia. Notes. Brief Synopsis. A dying woman shares a shipboard romance with a criminal on his way to the gallows. Cast & Crew. Read More. Edmund Goulding. Director. Merle Oberon. Joan Ames. George Brent. Dan Hardesty. Pat O'brien. Steve Burke.
- Edmund Goulding, Chuck Hansen
- Merle Oberon
Nov 13, 2017 · Wonder Bar. Dir. Lloyd Bacon, Busby Berkeley. 1934. If you’re someone like me, someone whose tastes most closely align with that of a 60 year old gay male costume designer’s, you’ll know who actress Kay Francis is. If you take your doses of 1930s cinema intravenously and have a frenzied addiction to hardcore glamour, you’ll know who Kay ...
7/10. Another One Way Pasage. bkoganbing 4 January 2008. 'Til We Meet Again is a remake of Warner Brothers earlier film, One Way Passage, a story of doomed romance that starred William Powell and Kay Francis. This film and the previous one concerns the shipboard romance of a man being brought back to the United States in custody to face the gas ...
The studio used stock footage from Kay Francis' 1935 film I Found Stella Parish. Warner Bros. records indicate that Comet Over Broadway began as an "A" picture, but when directors William Keighley and Edmund Goulding turned it down, the project was shelved. Then Bryan Foy took over the production in the "B" unit.
