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  1. Mar 3, 2023 · Clarke et al. (2015) also state that “in musicology, the psychology of music, the sociology of music, and ethnomusicology, empathy has been seen as a way to conceptualize a whole range of affiliative, social bonding, identity-forming, and ‘self-fashioning’ capacities in relation to music” (Clarke et al., 2015, p. 63).

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      Clarke et al. (2015) also state that “in musicology, the...

  2. May 24, 2017 · Music is central to cultural life and therefore also often perceived as central to social life. The study of music in society has been of interest to canonic social thinkers, including Weber, Simmel, and Adorno, since the establishment of sociology. The study of music has also concerned scholars in adjacent disciplines, particularly musicology ...

  3. Oct 2, 2014 · This chapter surveys some of the extant literature on music’s functions—referring to literature from ethnomusicology to anthropology, musicology, psychology, and sociology, and discussing a wide variety of musical contexts from around the world—and develops an argument emphasizing music’s role in the management of relationships between ...

  4. Oct 2, 2014 · Musical preferences are influenced by a multitude of factors ranging from the broad (e.g., cultural and social contexts) to the specific (e.g., age, preference for musical characteristics, uses of music), and determining the relative influence of these on preferences presents an enduring challenge for the field.

  5. Abstract. Since its inception, music psychology has focused on a range of important concepts that are fundamental to our understanding of music, from the physical properties of sound to the ways in which people perceive, interpret, or remember various musical elements. Such concepts are essential for establishing a foundation for understanding ...

  6. May 26, 2011 · Music has often been shown to induce emotion in listeners and is also often heard in social contexts (e.g., concerts, parties, etc.), yet until now, the influen...

  7. For example, participants in many studies on the psychology of music are college undergraduates in North America, Europe, or Australia. In standard music psychology studies, participants respond to excerpts of Western tonal music—the kind written in major and minor keys, that you might hear on the radio or at a concert hall in London or Chicago.

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