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Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a genre of popular music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music.
- Synthcore, retro-electro, tech-pop, nouveau-disco, new new wave
Ellen Allien. Felix da Housecat. Fischerspooner. Freezepop. Fred Falke. Futurecop! Gang Gang Dance. Gil Mantera's Party Dream. Golden Boy.
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Apr 16, 2024 · 9 mins read. Start. Electroclash was a sub-genre of electronic music in the late aughts and early 2010s. The music is an example of a scene that emerged and vanished within a decade. The result led listeners to conclude it was over before it began. Trace the influence electroclash artists had on the music of today.
Electronic rock (also known as electro rock and synth rock) is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s when rock bands began incorporating electronic instrumentation into their music.
- Late 1960s
- Electro rock · synth-rock
Jun 10, 2021 · Electroclash Music Guide: Explore the Origins of Electroclash. Written by MasterClass. Last updated: Jun 10, 2021 • 4 min read. Electroclash made music press headlines for its lo-fi beats and decadent lyrics, which elevated artists like Fischerspooner and Peaches into the mainstream.
- I-F – “Space Invaders Are Smoking Grass” (1997; Disko B) This is the genesis of electroclash, as far as the lore is concerned. Dutch artist Ferenc E. Van der Sluijs created an underground club hit with “Space Invaders Are Smoking Grass,” a catchy, pulsing electro-pop jam that buried some distorted, electronic vocals beneath a deep synth bassline and popping, flexing ’80s-style electro beats.
- Christopher Just – “I’m a Disco Dancer” (1997; International DeeJay Gigolo Records) A fortuitous linkup with Austrian producer and label head DJ Hell gave this floundering art student entreé into techno legend.
- Fatboy Slim – “The Rockafeller Skank” from You’ve Come A Long Way, Baby (1998; Skint) Despite it being a little bit shinier and happier than what would follow, Norman Cook’s Big Beat classic has important electroclash elements.
- Peaches – “Fuck the Pain Away” from The Teaches of Peaches (2000; Kitty-Yo) Peaches was emblematic of electroclash taken to its most absurd extremes. Well, most electroclash artists represented some absurd extremes—subtle artists don’t look or sound like Fischerspooner, but Peaches was jokier, raunchier, more outlandish and on a shoestring budget at that.
Mar 24, 2022 · Electroclash may be gone, but its influence over the musical zeitgeist 20 years ago created reverberations that are still felt in the music scene today. A key example is hyperpop, the rising sub ...
