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Composition and lyrical content. "L'amore esiste" was written and composed by Fortunato Zampaglione. Michele Canova, who produced the single, also contributed to the composition of the track's music. [6] [7] The song is an electropop ballad, in which Michielin lists a series of faint hints suggesting that love exists, concluding that the only ...
Synth-pop. Synth-pop is a subgenre of pop music in which the synthesizer is the main musical instrument. An electronic music genre, synthpop is additionally influenced by rock genres such as New Wave music and punk rock, as well as disco music. It is most closely associated with the era between the late 1970s and early to middle 1980s, although ...
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk [4] in the late 1970s and subsequently generated a thriving fanzine , label , and club and gig circuit.
Macht Liebe (meaning either "Power – love" or "Make love") is the eighth studio album by German pop duo Rosenstolz, released in 2002 by Polydor Records. Featuring a mix of electropop and ballads, the album reached gold status in Germany.
Wikimedia Commons has media related to Electropop. Pages in this category should be moved to subcategories where applicable. This category may require frequent maintenance to avoid becoming too large. It should directly contain very few, if any, pages and should mainly contain subcategories. Electropop is a musical genre combining electronic ...
Just Can't Get Enough (Depeche Mode song) "Just Can't Get Enough" is a 1981 song by British band Depeche Mode and is the third single from their debut album Speak & Spell. It went to number 8 in the United Kingdom and number 4 in Australia.
Synth-pop. Synth-pop (abreviação de synthesizer pop, do inglês: pop sintetizador [ 4], também chamado de technopop) [ 5][ 6][ 7] é um subgênero da música new wave, [ 8][ 9] que surgiu como um gênero distinto no Japão e no Reino Unido na era pós-punk, pré-definido no final da década de 1960, apresentando o uso do teclado sintetizador ...
