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  1. ELECTROPOP | meaning in the Cambridge English Dictionary › english › electropop

    a type of pop music (= modern popular music with a strong beat) produced on electronic instruments such as synthesizers (= electronic keyboards): The album is a fusion of dub and electropop. Hot Chip is an interesting electropop band.

  2. ELECTROPOP | definition in the Cambridge English Dictionary › english › electropop

    a type of pop music (= modern popular music with a strong beat) produced on electronic instruments such as synthesizers (= electronic keyboards): The album is a fusion of dub and electropop. Hot Chip is an interesting electropop band.

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    What's the meaning of the song'electropop'?

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  4. electropop song : definition of electropop song and synonyms ... › electropop song › en-en

    Electropop is a dance-electropop song released from the electronic dance group Jupiter Rising's album Electropop. It was released to Sirius Satellie radio on June 12, 2007 for digital download on June 19, 2007 [2] .The song charted on the Billboard's Hot Dance Music.

  5. Electropop : definition of Electropop and synonyms of ... › Electropop › sv-sv

    Electropop eller ibland technopop är namnet på en musikgenre inom synthmusiken. Termen användes främst under 1980-talet för att beskriva en form av synthpop som karakteriserades av minimalism och kyla tillsammans med starka melodier och var bland annat en reaktion på den romantiska tradition som mycket synthpop inom new wave-genren byggde ...

  6. ELECTROPLATE | meaning in the Cambridge English Dictionary › english › electroplate

    / iˈlek.troʊ.pleɪt / to cover the surface of a metal object with a thin layer of a different metal, often silver, using electrolysis (= method that uses electric current): The firm uses chemical baths to electroplate metal products.

  7. Pop music - Wikipedia › wiki › Pop_festival

    Pop is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles.

  8. Electropop - Unionpedia, the concept map › Electropop

    Electropop and J-pop · See more » John Foxx. John Foxx (born Dennis Leigh, 26 September 1947) is an English singer, artist, photographer and teacher. New!!: Electropop and John Foxx · See more » K-pop. K-pop (abbreviation of Korean pop) characterized by a wide variety of audiovisual elements. New!!: Electropop and K-pop · See more » Kaskade

  9. Synthpop : definition of Synthpop and synonyms of Synthpop ... › Synthpop › en-en
    • Characteristics
    • History
    • Criticism
    • Influence
    • See Also
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    Synthpop was defined by its primary use of synthesizers, drum machines and sequencers, sometimes using them to replace all other instruments.[2] Borthwick and Moy have described the genre as diverse but "...characterised by a broad set of values that eschewed rock playing styles, rhythms and structures", which were replaced by "synthetic textures" and "robotic rigidity", often defined by the limitations of the new technology,[3] including monophonic synthesizers (only able to play one note at a time).[4] Many synthpop musicians had limited musical skills, relying on the technology to produce or reproduce the music. The result was often minimalist, with grooves that were "typically woven together from simple repeated riffs often with no harmonic 'progression' to speak of".[5] Early synthpop has been described as "eerie, sterile, and vaguely menacing", using droning electronics with little change in inflection.[6][7] Common themes were isolation, urban anomie, and feelings of being em...


    Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, around the same time as rock music began to emerge as a distinct musical genre.[11] The Mellotron, an electro-mechanical, polyphonic sample-playback keyboard[12] was overtaken by the Moog synthesizer, created by Robert Moog in 1964, which produced completely electronically generated sounds. The portable Mini-moog, which allowed much easier use, particularly in live performan...


    Early guitar-based punk rock that came to prominence in the period 1976-77 was initially hostile to the "inauthentic" sound of the synthesizer,[3] but many New Wave and post-punk bands that emerged from the movement began to adopt it as a major part of their sound. British punk and New wave clubs were open to what was then considered an "alternative" sound.[21][22] The do it yourself attitude of punk broke down the progressive rock era's norm of needing years of experience before getting up o...

    Commercial success

    The emergence of synthpop has been described as "perhaps the single most significant event in melodic music since Mersey-beat".[2] By the 1980s synthesizers had become much cheaper and easier to use.[44] After the definition of MIDI in 1982 and the development of digital audio, the creation of purely electronic sounds and their manipulation became much simpler.[45] Synthesizers came to dominate the pop music of the early 1980s, particularly through their adoption by bands of the New Romantic...

    Synthpop has received considerable criticism and even prompted hostility among musicians and in the press. It has been described as "anaemic"[92] and "soulless".[93] Synthpop's early steps, and Gary Numan in particular, were also disparaged in the British music press of the late 1970s and early 1980s for their German influences[16] and characterised by journalist Mick Farren as the "Adolf Hitler Memorial Space Patrol".[94] In the 1980s, objections were raised to the quality of compositions[95] and the limited musicianship of artists.[96] In 1983 Morrissey of The Smiths stated that "there was nothing more repellent than the synthesizer".[9] According to Simon Reynolds, in some quarters synthesizers were seen as instruments for "effete poseurs", in contrast to the phallic guitar.[95] The association of synthpop with an alternative sexuality was reinforced by the images projected by synthpop stars, who were seen as gender bending, including Phil Oakey's asymmetric hair and use of eyeli...

    By the mid-1980s, synthpop had helped establish the synthesizer as a primary instrument in mainstream pop music.[6] It also influenced the sound of many mainstream rock acts, such as Bruce Springsteen, ZZ Top and Van Halen.[97] It was a major influence on house music, which grew out of the post-disco dance club culture of the early 1980s as some DJs attempted to make the less pop-oriented music that also incorporated influences from Latin soul, dub reggae, rap music, and jazz.[98] Musicians such as Juan Atkins, using names including Model 500, Infinity and as part of Cybotron, developed a style of electronic dance music influenced by synthpop and funk that led to the emergence of Detroit techno in the mid 1980s.[99] The continued influence of 1980s synthpop could be seen in various incarnations of 1990s dance music including trance.[100] The electronic sound and style of from both the 1980s the 21st century revival are influencing and have become a seamless part of today's music sce...

    We Are Also the Robots: 8 Essentials of Post-Kraftwerk Pop by Chuck Eddy for Spin Magazine22 June 2012

  10. Boogie (genre) - Wikipedia › wiki › Boogie_(1980s)

    Boogie, as defined by Merriam-Webster Dictionary, is an occasion for dancing to the strongly rhythmic rock music that encourages people to dance. Earliest association of the word boogie was with blues and later rock and roll and rockabilly genres. 1970s–1980s: current meaning

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