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Nobel Prize-winning author Elfriede Jelinek reinvents this classic story with the help of acclaimed experimental Russian director Yana Ross in a dark and humorous production of the festival circuit. In Jelinek’s version of this timeless fairytale, an apocalyptic battle of the sexes ensues.
Elfriede Jelinek's Snow White, Sleeping Beauty, and the Mythologization of Contemporary Society | This article examines a central tenet of Elfriede Jelinek's work, the perpetuation...
- Birgit Tautz
Elfriede Jelinek's Snow White, Sleeping Beauty, and the Mythologization of Contemporary Society 🔍 Women in German; University of Nebraska Press; JSTOR (ISSN 1058-7446), Women in German Yearbook, 24, pages 165-184, 2008
Elfriede Jelinek’s Melodramas of Multiple Exposure JEssicA Rizzo Yale University ‘Mein Dasein ist schlaf’ [My existence, my being is sleep], begins Elfriede Jelinek’s Sleeping Beauty, ‘daher ist Leben meine logische Grenze’ [therefore life is my logical limit].1 Given her brutally reductive melodramatic sensibility,
Abstract. This article examines a central tenet of Elfriede Jelinek's work, the perpetuation of myth (s) surrounding gender and the mythologization of contemporary society. Specifically, my reading focuses on the "princess myth." Analyzing Jelinek's rewritings of Snow White and Sleeping Beauty, the first two of a cycle of Princess Plays (1998 ...
PDF | The article analyzes Elfriede Jelinek’s Snow White and Sleeping Beauty as reinterpretations of classic fairytales. Weronika Kosecka’s conception... | Find, read and cite all the...
The first one was Snow White, of course. Then came Sleeping Beauty, naturally, because these are the best known fairy tales. Rosamunde was the only one that was commissioned, by the Berlin Philharmonic. And then, of course, I also read the libretto by Helmina von Chézy and I thought, one just simply has to thrash that, one has to play with ...
