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  1. Emile de Antonio

    Emile de Antonio

    American film director

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  1. Emile Francisco de Antonio (May 14, 1919: 3 – December 15, 1989) was an American director and producer of documentary films, usually detailing political, social, and counterculture events circa 1960s–1980s. He has been referred to by Randolph Lewis as, "…the most important political filmmaker in the United States during the Cold War."

  2. Biography. Awards. Trivia. IMDbPro. All topics. Emile de Antonio (1919-1989) Director. Producer. Additional Crew. IMDbPro Starmeter See rank. The son of a wealthy physician, Emile de Antonio grew up in the tough coal-mining town of Scranton, Pennsylvania, and it made a deep impression on him.

    • January 1, 1
    • Scranton, Pennsylvania, USA
    • January 1, 1
    • Director, Producer, Additional Crew
  3. Biography. Showing all 11 items. Jump to: Overview (4) | Mini Bio (1) | Family (1) | Trivia (3) | Personal Quotes (2) Overview (4) Mini Bio (1) The son of a wealthy physician, Emile de Antonio grew up in the tough coal-mining town of Scranton, Pennsylvania, and it made a deep impression on him.

  4. May 2, 2018 · Rewind. In the Heat of Battle, ‘In the Year of the Pig’. Share full article. An American soldier in Vietnam, as seen in “In the Year of the Pig,” a 1969 documentary film directed by Emile de...

  5. Feb 25, 2019 · 50 Years After "In the Year of the Pig" Radical Filmmaker Emile de Antonio Is As Important As Ever. Gallery. Danny King. Cinda Firestone. February 25, 2019. Emile de Antonio imitates painter Larry Poons cropping a work in Painters Painting, his 1972 portrait of the post-war New York art scene.

  6. Apr 22, 2004 · Emile de Antonio (1919-1989), America’s most influential political documentary filmmaker, made ten films: Point of Order (1964); That’s Where the Action Is (1965); Rush to Judgment (1966) (video title: The Plot to Kill JFK: Rush to Judgment [1988]); In the Year of the Pig (1969); America is Hard to See (1970); Millhouse: A White Comedy ...

  7. Emile de Antonio at his desk. De Antonio’s films were on the leading edge, both politically and aesthetically. From his very first film, Point of Order of 1964, de Antonio showed his propensity for questioning government authority and investigating powerful officials’ misdeeds.

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