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Erich von Stroheim Jr.. Second Unit or Assistant Director: West Point. Erich von Stroheim Jr. was born on 25 August 1916 in Los Angeles, California, USA. He was an assistant director and actor, known for West Point (1956), One Step Beyond (1959) and Science Fiction Theatre (1955).
- Erich von Stroheim Jr.
- October 26, 1968
- August 25, 1916
Stroheim was born in Vienna, Austria, in 1885 as Erich Oswald Stroheim (some sources give Hans Erich Maria Stroheim von Nordenwall, but this seems to have been an assumed name, see below), the son of Benno Stroheim, a middle-class hatmaker, and Johanna Bondy, both of whom were observant Jews. Erich Von Stroheim caricature by John Held Jr.
- 1.68 m (5 ft 6 in)
- 1914–1955
Erich von Stroheim was born Erich Oswald Stroheim in 1885, in Vienna, Austria, to Johanna (Bondy), from Prague, and Benno Stroheim, a hatter from Gleiwitz, Germany (now Gliwice, Poland). His family was Jewish. After spending some time working in his father's hat factory, he. emigrated to America around 1909. Working in various jobs he arrived in.
- Actor, Writer, Director
- September 22, 1885
- 3 min
- May 12, 1957
The older of two sons of director/actor Erich Von Stroheim (1885-1957), Erich Von Stroheim Jr. was born in 1916; his mother was Mae Jones, who was briefly the second wife of the filmmaker. Erich Von Stroheim Jr. showed up as a baby in Charles Chaplin's Easy Street (1917), and made a few acting appearances in the late '20s and early '30s, but ...
- January 1, 1915
- January 1, 1968
Apr 10, 2024 · Erich von Stroheim (born September 22, 1885, Vienna, Austria—died May 12, 1957, near Paris, France) was one of the most critically respected motion-picture directors of the 20th century, best known for the uncompromising realism and accuracy of detail in his films. He also wrote screenplays and won recognition as an actor, notably for roles ...
- The Editors of Encyclopaedia Britannica
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Erich von Stroheim Jr. is known as an Assistant Director and Actor. Some of his work includes Easy Street, Two Weeks in Another Town, Party Girl, Old Man Rhythm, and Hot Water.
The lights and darks in his cynical view of humanity were always shaded tones, highlighted with symbolic artistry and black humor. Offsetting a richly textured elegance with banality, filth and deviance, von Stroheim exposed aristocrats in their pajamas and mustache bands. He focused on aberrations, idiosyncrasies, and deformities, inserting ...
