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Ernst Ludwig Kirchner’s Self-Portrait as a Soldier is a masterpiece of psychological drama. The painting shows Kirchner dressed in a uniform, but instead of standing on a battlefield (or another military context), he is standing in his studio with an amputated, bloody arm and a nude model behind him.
Self-Portrait as a Soldier. Self-Portrait as a Soldier, or Selbstbildnis als Soldat, is an Expressionist oil-on-canvas painting by the German artist Ernst Ludwig Kirchner. Kirchner created this self-depiction in 1915, following his medical discharge from military service during the First World War. [1]
- 69 cm × 61 cm (27 in × 24 in)
- Ernst Ludwig Kirchner
- 1915
Dec 6, 2023 · Ernst Ludwig Kirchner’s Self-Portrait as a Soldier is a masterpiece of psychological drama. The painting shows Kirchner dressed in a uniform, but instead of standing on a battlefield (or another military context), he is standing in his studio with an amputated, bloody arm and a nude model behind him.
Ernst Ludwig Kirchner and Friends: Expressionism from the Swiss Mountains By Beat Stutzer, Samuel Vitali, Han Steenbruggen, Matthias Frehner Hand and Head: Ernst Ludwig Kirchner's Self-Portrait as Soldier
- German
- May 6, 1880
- Aschaffenburg, Bavaria
- June 15, 1938
Dec 6, 2023 · Ernst Ludwig Kirchner’s Self-Portrait As a Soldier is a masterpiece of psychological drama. The painting shows Kirchner dressed in a uniform but instead of standing on a battlefield (or another military context), he is standing in his studio with an amputated, bloody arm and a nude model behind him.
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Ernst Ludwig Kirchner’s Self-Portrait As a Soldier is a masterpiece of psychological drama. The painting shows Kirchner dressed in a uniform but instead of standing on a battlefield (or another military context), he is standing in his studio with an amputated, bloody arm and a nude model behind him.
Self-Portrait as a Soldier (1915), Allen Memorial Art Museum in Oberlin, Ohio Davos, 1917-1938. In 1917, at the suggestion of Eberhard Grisebach , Helene Spengler invited Kirchner to Davos. He arrived on January 19, 1917. There he visited an exhibition of Ferdinand Hodler's paintings. His visit to Davos coincided with a spell of exceptionally ...