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  1. Esmond Knight - Wikipedia

    af.wikipedia.org › wiki › Esmond_Knight

    Esmond Knight (4 Mei 1906 – 23 Februarie 1987) was 'n Engelse akteur. Hy was bekend vir sy rolle in die rolprente The Red Shoes (1948), Hamlet (1948), Peeping Tom (1960), en Superman IV: The Quest for Peace (1987).

    • 23 Februarie 1987 (op 80)
    • Engels
  2. Esmond Knight | Military Wiki | Fandom

    military.wikia.org › wiki › Esmond_Knight
    • Early Career
    • Military Service
    • Later Career
    • Personal Life
    • Work
    • External Links

    He was an accomplished actor with a career spanning over half a century. He established himself in the 1920s on stage. In John Gielgud's famous 1930 production of Hamlet he played Rosencrantz. He also appeared in films. In Romany Love (1931) he played "a swaggering gypsy who never stopped singing." For The Private Life of Henry VIII (1933), Knight and his uncle C.W.R. Knight trained the falcons used in the hunting scenes. In Alfred Hitchcock's Waltzes from Vienna (1934), he played the lead role as Johann Strauss. Following this, he landed a number of roles in Hollywood films. He travelled to Germany to star in Schwarze Rosen (1937), a film about a Finnish anti-communist. The film was shot in three versions, in English, German and French. Julius Streicher visited the set during filming.Thereafter Knight appeared in various film and theatre productions in Britain.

    After war was declared, Knight continued to act, appearing in Powell and Pressburger's film Contraband (1940). He sought a naval commission, but after the evacuation of Dunkirk he became involved in training Local Defence Volunteers. In late 1940 he was accepted for naval training. In 1941 Knight was asked to play the lead role of fanatical Nazi Lieutenant Hirth in another Powell and Pressburger propaganda film 49th Parallel (1941), but Eric Portman took the role as Knight was required for military training. He did appear in This England (also 1941), another propaganda film.After completing his Naval training, Knight was appointed as Gunnery Officer, with the rank of lieutenant, on the battleship HMS Prince of Wales. In 1941, the ship received orders to pursue the German battleship Bismarck and the heavy cruiser Prinz Eugen. In the ensuing Battle of the Denmark Strait, Knight witnessed the sinking of HMS Hood before being blinded by shrapnel. A shell fired by Bismarck either passed...

    Knight continued to work with Olivier and with Powell and Pressburger, appearing in the former's Shakespearean films Hamlet (1948) and Richard III (1955). For the latter, he appeared in Black Narcissus (1947) and The Red Shoes (1948). He also starred in Jean Renoir's The River(1951). Knight was the subject of a This Is Your Life episode in 1957 when he was surprised by Eamonn Andrewsat the King's Theatre in Hammersmith, London. In the film Sink the Bismarck! (1960), he played John Leach, the captain of HMS Prince of Wales, the ship he had served in when he was blinded (though the captain is not named in the film). In the same year he played Jack Cade in the BBC Shakespeare series An Age of Kings. He starred as Professor Ernest Reinhart in the British science fiction television series A for Andromeda (1961), alongside Patricia Kneale and Peter Halliday. In Robin and Marian (1976), a film directed by Richard Lester, he played a blind old man who defies Richard I of England. For the ro...

    Knight was married twice. He married actress Frances Clare in 1929. The couple had a daughter, actress Rosalind Knight. During the 1930s, he had a long-running affair with Nora Swinburne, of which his wife was aware. She was also an actress who appeared with him in several stage plays. After a short-lived attempt to end the affair, Knight left Frances for Nora. The couple married in 1946 and remained together until his death.

    Stage

    1. The Wild Duck- Pax Robertson's Salon, London (1925) 2. Various Shakespeare productions - full season, Old Vic(1926) 3. Various productions - Children's Theatre, London (1928) 4. Hamlet - Queen's Theatre, London (with John Gielgud and Donald Wolfit) (1930) 5. Full Season - King's Theatre, Hammersmith (1939) 6. Full Season - Royal Shakespeare Company, Stratford-upon-Avon (1948–1949) 7. Caesar and Cleopatra - St James's Theatre, London (with Laurence Olivier, Peter Cushing and Vivien Leigh) (...

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  4. Talk:Esmond Knight - Wikipedia

    en.wikipedia.org › wiki › Talk:Esmond_Knight

    Talk:Esmond Knight. This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.

  5. Esmond Knight – Wikipedia

    lb.wikipedia.org › wiki › Esmond_Knight

    Den Esmond Knight, gebuer als Esmond Penington Knight de 4. Mee 1906 zu East Sheen, Surrey, England a gestuerwen den 23. Februar 1987 zu London war en englesche Schauspiller . Bedeitend Filmregisseuren hunn den Esmond Knight engagéiert sou am Joer 1934 den Alfred Hitchcock “am Film Waltzes from Vienna.

  6. Esmond Knight - IMDb

    www.imdb.com › name › nm0460874

    Esmond Knight, Actor: Superman IV: The Quest for Peace. A stage actor from 1925, Esmond made his first film appearance in 77 Park Lane (1931) for Michael Powell for whom he eventually made 11 films. Esmond served in the Royal Navy during WWII and lost one eye and was almost totally blinded in the other during an engagement against The Bismarck. This didn't stop him later portraying a Royal ...

  7. Esmond Knight - Biography - IMDb

    www.imdb.com › name › nm0460874

    A stage actor from 1925, Esmond made his first film appearance in 77 Park Lane (1931) for Michael Powell for whom he eventually made 11 films. Esmond served in the Royal Navy during WWII and lost one eye and was almost totally blinded in the other during an engagement against The Bismarck. This didn't stop him later portraying a Royal Naval ...

  8. Knight - Wikipedia

    en.wikipedia.org › wiki › Knight
    • Etymology
    • Evolution of Medieval Knighthood
    • Knightly Culture in The Middle Ages
    • Medieval and Renaissance Chivalric Literature
    • Decline
    • Radiance of Knighthood Into The 21st Century

    The word knight, from Old English cniht ("boy" or "servant"), is a cognate of the German word Knecht ("servant, bondsman, vassal"). This meaning, of unknown origin, is common among West Germanic languages (cf Old Frisian kniucht, Dutch knecht, Danish knægt, Swedish knekt, Norwegian knekt, Middle High German kneht, all meaning "boy, youth, lad"). Middle High German had the phrase guoter kneht, which also meant knight; but this meaning was in decline by about 1200. The meaning of cniht changed over time from its original meaning of "boy" to "household retainer". Ælfric's homily of St. Swithun describes a mounted retainer as a cniht. While cnihtas might have fought alongside their lords, their role as household servants features more prominently in the Anglo-Saxon texts. In several Anglo-Saxon wills cnihtas are left either money or lands. In his will, King Æthelstan leaves his cniht, Aelfmar, eight hidesof land. A rādcniht, "riding-servant", was a servant on horseback. A narrowing of t...

    Pre-Carolingian legacies

    In ancient Rome there was a knightly class Ordo Equestris (order of mounted nobles). Some portions of the armies of Germanic peoples who occupied Europe from the 3rd century AD onward had been mounted, and some armies, such as those of the Ostrogoths, were mainly cavalry. However, it was the Franks who generally fielded armies composed of large masses of infantry, with an infantry elite, the comitatus, which often rode to battle on horseback rather than marching on foot. When the armies of th...

    Carolingian age

    In the Early Medieval period any well-equipped horseman could be described as a knight, or miles in Latin. The first knights appeared during the reign of Charlemagne in the 8th century. As the Carolingian Age progressed, the Franks were generally on the attack, and larger numbers of warriors took to their horses to ride with the Emperor in his wide-ranging campaigns of conquest. At about this time the Franks increasingly remained on horseback to fight on the battlefield as true cavalry rather...

    Multiple Crusades

    Clerics and the Church often opposed the practices of the Knights because of their abuses against women and civilians, and many such as St. Bernard, were convinced that the Knights served the devil and not God and needed reforming.In the course of the 12th century knighthood became a social rank, with a distinction being made between milites gregarii (non-noble cavalrymen) and milites nobiles (true knights). As the term "knight" became increasingly confined to denoting a social rank, the mili...

    Training

    The institution of knights was already well-established by the 10th century. While the knight was essentially a title denoting a military office, the term could also be used for positions of higher nobility such as landholders. The higher nobles grant the vassals their portions of land (fiefs) in return for their loyalty, protection, and service. The nobles also provided their knights with necessities, such as lodging, food, armour, weapons, horses, and money. The knight generally held his la...

    Accolade

    The accolade or knighting ceremony was usually held during one of the great feasts or holidays, like Christmas or Easter, and sometimes at the wedding of a noble or royal. The knighting ceremony usually involved a ritual bath on the eve of the ceremony and a prayer vigil during the night. On the day of the ceremony, the would-be knight would swear an oath and the master of the ceremony would dub the new knight on the shoulders with a sword. Squires, and even soldiers, could also be conferred...

    Chivalric code

    Knights were expected, above all, to fight bravely and to display military professionalism and courtesy. When knights were taken as prisoners of war, they were customarily held for ransom in somewhat comfortable surroundings. This same standard of conduct did not apply to non-knights (archers, peasants, foot-soldiers, etc.) who were often slaughtered after capture, and who were viewed during battle as mere impediments to knights' getting to other knights to fight them. Chivalry developed as a...

    Knights and the ideals of knighthood featured largely in medieval and Renaissance literature, and have secured a permanent place in literary romance. While chivalric romances abound, particularly notable literary portrayals of knighthood include The Song of Roland, Cantar de Mio Cid, The Twelve of England, Geoffrey Chaucer's The Knight's Tale, Baldassare Castiglione's The Book of the Courtier, and Miguel de Cervantes' Don Quixote, as well as Sir Thomas Malory's Le Morte d'Arthur and other Arthurian tales (Geoffrey of Monmouth's Historia Regum Britanniae, the Pearl Poet's Sir Gawain and the Green Knight, etc.). Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain), written in the 1130s, introduced the legend of King Arthur, which was to be important to the development of chivalric ideals in literature. Sir Thomas Malory's Le Morte d'Arthur (The Death of Arthur), written in 1469, was important in defining the ideal of chivalry, which is essential to the mo...

    By the end of the 16th century, knights were becoming obsolete as countries started creating their own professional armies that were quicker to train, cheaper, and easier to mobilize. The advancement of high-powered firearms contributed greatly to the decline in use of plate armour, as the time it took to train soldiers with guns was much less compared to that of the knight. The cost of equipment was also significantly lower, and guns had a reasonable chance to easily penetrate a knight's armour. In the 14th century the use of infantrymen armed with pikes and fighting in close formation also proved effective against heavy cavalry, such as during the Battle of Nancy, when Charles the Bold and his armoured cavalry were decimated by Swiss pikemen. As the feudal system came to an end, lords saw no further use of knights. Many landowners found the duties of knighthood too expensive and so contented themselves with the use of squires. Mercenariesalso became an economic alternative to knig...

    When chivalry had long since declined, the cavalry of the early modern era clung to the old ideals. Even the first fighter pilots of the First World War, even in the 20th century, still resorted to knightly ideas in their duels in the sky, aimed at fairness and honesty. At least; such chivalry was spread in the media. This idea was then completely lost in later wars or was perverted by Nazi Germany, which awarded a "Knight's Cross" as an award. Conversely, the Austrian priest and resistance fighter Heinrich Maier is referred to as Miles Christi, a Christian knight against Nazi Germany. While on the one hand attempts are made again and again to revive or restore old knightly orders in order to gain prestige, awards and financial advantages, on the other hand old orders continue to exist or are activated. This especially in the environment of ruling or formerly ruling noble houses. For example, the British Queen Elizabeth II regularly appoints new members to the Order of the British E...

  9. Esmond Knight (1906-1987) - Find A Grave Memorial

    www.findagrave.com › memorial › 10829448

    British Stage, Screen and Television Actor. He was born in East Sheen, Surrey and died in London. He began his career on stage, and later became successful in films. He is best remembered for his work with Powell and Pressburger. He appeared in The Ringer (1931), Waltzes from Vienna (1933), Contraband (1940), Black...

  10. Rosalind Knight (born 3 December 1933) is an English actress. Her career has spanned over 60 years on stage, screen, and television. Her film appearances include Blue Murder at St Trinian's (1957), Carry On Nurse (1959), Carry On Teacher (1959), Tom Jones (1963), and About a Boy (2002).

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