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Esmond Penington Knight (4 May 1906 – 23 February 1987) was an English actor. He had a successful stage and film career before World War II . For much of his later career Knight was half-blind.
This website celebrates the life and work of a remarkable man and a fine British actor - Esmond Knight. His name may not be broadly known nowadays, yet his work will be very familiar to anyone interested in British cinema as he appeared in some of the finest films ever made in the UK, including Henry V, The Red Shoes, Black Narcissus, Hamlet, Richard III, Peeping Tom, The Spy Who Came In from ...
(Above) Stills from the Powell / Pressburger film A Canterbury Tale (1944). On the left, with his back to the screen, Esmond plays the village idiot; in the centre picture, he's on the left as the Seven Sisters Soldier, chatting to Sergeant Bob Johnson (played by John Sweet); on the right, as the Seven Sisters Soldier again behind pilgrims Dennis Price, John Sweet and Sheila Sim.
1948 - 1951 Stratford, Church Stretton and India. 1951 - 1955 "Dickie Three Eyes". 1955 - 1960 Esmond Knight, This Is Your Life! 1960 - 1969 Peeping Tom and the Sixties. 1970 - 1979 A One Man Triumph.
Esmond Knight. Actor: Superman IV: The Quest for Peace. A stage actor from 1925, Esmond made his first film appearance in 77 Park Lane (1931) for Michael Powell for whom he eventually made 11 films. Esmond served in the Royal Navy during WWII and lost one eye and was almost totally blinded in the other during an engagement against The Bismarck. This didn't stop him later portraying a Royal ...
- May 4, 1906
- February 23, 1987
Esmond Penington Knight (4 May 1906 – 23 February 1987) was an English actor. He was an accomplished actor with a career spanning over half a century. For much of his career Esmond Knight was virtually blind. He had been badly injured in 1941 whilst on active service on board HMS Prince of Wales when she fought the Bismarck at the Battle of the Denmark Strait, and remained totally blind for ...
Actor. Near-blindness suffered in naval action early in WW2 scarcely disturbed Esmond Knight's progress from handsome romantic lead to solid character actor; indeed it arguably gave extra depth to roles like the Village Idiot in A Canterbury Tale (1944) - in which he also played a soldier and narrated the Chaucerian Prologue - and the Holy Man in Black Narcissus (1947).
