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  1. Faithless
    R2001 · Drama · 2h 34m

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  1. Sep 15, 2000 · Faithless: Directed by Liv Ullmann. With Lena Endre, Erland Josephson, Krister Henriksson, Thomas Hanzon. An imaginary woman recollects the painful experience of adultery to a storyteller.

    • (3.7K)
    • Drama, Romance
    • Liv Ullmann
    • 2000-09-15
  2. Aug 23, 2023 · Lena Endre will reprise the role of Marianne in Tomas Alfredson ‘s TV adaptation of Liv Ullmann and Ingmar Bergman’s 2000 film “Faithless,” Variety can reveal exclusively. Filming has ...

  3. Lena Endre – Marianne; Erland Josephson – Bergman; Krister Henriksson – David; Thomas Hanzon – Markus; Michelle Gylemo – Isabelle; Juni Dahr – Margareta; Philip Zandén – Martin Goldman; Thérèse Brunnander – Petra Holst; Marie Richardson – Anna Berg; Stina Ekblad – Eva; Johan Rabaeus – Johan; Jan-Olof Strandberg – Axel ...

    • Maria Curman, Kaj Larsen, Johan Mardell
    • Liv Ullmann
    • 13 May 2000
  4. en.wikipedia.org › wiki › Lena_EndreLena Endre - Wikipedia

    Lena Endre (born 8 July 1955) is a Swedish actress of film and television, primarily in the Swedish and Norwegian markets, known for her parts in the Liv Ullmann film Trolösa (2000), and the Millennium series of films (e.g., The Girl with the Dragon Tattoo), based on the eponymous trio of Stieg Larsson books.

  5. Aug 23, 2023 · Lena Endre will reprise her role as Marianne for the series with Jesper Christensen ( Quantum of Solace) playing the older David Howard. Young David will be played by Gustav Lindh ( Queen of...

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  7. Directed by Liv Ullmann, screenplay by Ingmar Bergman. About the film. Film facts. Plot summary. Images/video (13) Collaborators (62) Faithless was first screened in competition at the Cannes Film Festival in 2000. Though it had a rather cool reception, Lena Endre was praised for her portrayal of Marianne Vogler.

  8. Feb 16, 2001 · As it begins, the old man ( Erland Josephson) has writing paper on the desk before him and is talking with an actress ( Lena Endre ). It becomes clear that this actress is not physically present. The dialogue suggests the director has enlisted this woman, or her memory, to help him think through a story he is writing.

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