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Sep 19, 1974 · Amarcord: Directed by Federico Fellini. With Pupella Maggio, Armando Brancia, Magali Noël, Ciccio Ingrassia. A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town.
- (46K)
- Comedy, Drama
- Federico Fellini
- 1974-09-19
Box office. $2.3 million [1] Amarcord ( Italian: [amarˈkɔrd]) is a 1973 period comedy-drama film directed by Federico Fellini, a semi- autobiographical tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano (situated near the ancient walls of Rimini) [2] in 1930s Fascist Italy.
- $2.3 million
- Franco Cristaldi
Deleted scene. Fellini’s Homecoming, a forty-five-minute documentary on the complicated relationship between the celebrated director, his hometown, and his past. Interview with star Magali Noël. Fellini’s drawings of characters in the film. Felliniana, a presentation of ephemera devoted to Amarcord, from the collection of Don Young.
- Titta's Mother
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Jan 4, 2004 · If ever there was a movie made entirely out of nostalgia and joy, by a filmmaker at the heedless height of his powers, that movie is Federico Fellini’s “Amarcord.” The title means “I remember” in the dialect of Rimini, the seaside town of his youth, but these are memories of memories, transformed by affection and fantasy and much improved in the telling. Here he gathers the legends ...
John Russell Taylor Sight & Sound Compared with [Fellini's] other recent films, Amarcord is simple and classic to the point of self-denial. Apr 1, 2020 Full Review David Fear Time Out Rated: 5/5 ...
- (781)
- Federico Fellini
- R
- Magali Noël
Apr 13, 2024 · But there’s also the sweet, the bittersweet, the humorous and the affectionate. Whether it’s Fellini’s greatest film is open to debate – with La Dolce Vita, I Vitelloni and 8 1 / 2 in contention that’s a high bar to clear – but Amarcord is a great film, Fellini’s last great one. Amarcord – Watch it/buy it at Amazon. I am an ...
Jan 31, 2023 · Federico Fellini’s Amarcord (1973), the fourteenth of his twenty-one films and arguably the last of his great films 1 is about adolescence, memory and story. Many of Fellini’s films draw on memory and they all depict or enact stories (some clear and linear; some, like Amarcord, episodic), but this is the only film in which the work of memory and the variety of stories it contains are ...
