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Femme Fatale (2002 film) Femme Fatale. (2002 film) Femme Fatale is a 2002 erotic thriller film [2] [3] written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. [4] Upon its release, Femme Fatale received mixed reviews from film critics ...
A femme fatale ( / ˌfɛm fəˈtæl / or / ˌfɛm fəˈtɑːl /, French: [fam fatal]; lit. 'fatal woman' ), sometimes called a maneater [1], Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of ...
Fatale (film) Fatale. (film) Fatale is a 2020 American psychological thriller film directed by Deon Taylor, from a screenplay by David Loughery. The film stars Hilary Swank, Michael Ealy, Mike Colter, and Danny Pino. Fatale was released in the United States on December 18, 2020, by Lionsgate. The film received mixed reviews from critics and ...
- $7 million
- Geoff Zanelli
- December 18, 2020
Sep 22, 2016 · The Times critic A.O. Scott reviews “The Dressmaker” Ben King/Broad Green Pictures. It’s the early 1950s, and Tilly Dunnage (Ms. Winslet) has returned to her dusty Australian hometown in ...
- Jocelyn Moorhouse
Apr 28, 2024 · The femme fatale has been a stock character across film genres. The term is defined as a seductive or alluring woman who either causes distress or disaster for any man who becomes involved with ...
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Feb 19, 2016 · Gilda as a desperate and lonely femme-fatale-in-love does everything in her power to get Johnny’s love back. And she has power. The movie is filled with her dancing and singing acts, for instance when she performs „Amado Mio” in a club or „Put the Blame on Mame” in the casino with the famous gloves-stripping scene that became her ...
Gilda (1946)- Out of the Past (1947)
- The Strange Love of Martha Ivers (1946)
- Phyllis Dietrichson - Double Indemnity. Femme fatales generally fall into two categories as far as looks go. You'll see those with black hair and black outfits (what you would typically expect from the black widow type), or the icy blond who wears white (see: "Body Heat" and "Basic Instinct").
- Ellen Berent Harland - Leave Her to Heaven. In terms of the brunette leading ladies of the '40s, the two most beautiful were probably Ava Gardner and Gene Tierney, and both effectively weaponized their beauty as femme fatales.
- Veda Pierce - Mildred Pierce. The two youngest femme fatales on this list — the teenage Veda and Kathryn in "Cruel Intentions" — are arguably the evilest.
- Kitty Collins - The Killers. Many of the best noirs are adaptations of equally brilliant books, and 1946's "The Killers" is no exception. The movie is based on a story by Ernest Hemingway, and was one of the few adaptations that he didn't despise.
