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  1. Femme Fatale is a 2002 erotic thriller film written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. Upon its release, Femme Fatale received mixed reviews from film critics and became a box office flop.

    • Phyllis Dietrichson - Double Indemnity. Femme fatales generally fall into two categories as far as looks go. You'll see those with black hair and black outfits (what you would typically expect from the black widow type), or the icy blond who wears white (see: "Body Heat" and "Basic Instinct").
    • Ellen Berent Harland - Leave Her to Heaven. In terms of the brunette leading ladies of the '40s, the two most beautiful were probably Ava Gardner and Gene Tierney, and both effectively weaponized their beauty as femme fatales.
    • Veda Pierce - Mildred Pierce. The two youngest femme fatales on this list — the teenage Veda and Kathryn in "Cruel Intentions" — are arguably the evilest.
    • Kitty Collins - The Killers. Many of the best noirs are adaptations of equally brilliant books, and 1946's "The Killers" is no exception. The movie is based on a story by Ernest Hemingway, and was one of the few adaptations that he didn't despise.
  2. Mercenary thief Laure Ash (Rebecca Romijn) participates in a diamond heist at the 2001 Cannes Film Festival in France. The plan is for Laure to steal a necklace of valuable diamonds from the ensemble of a female attendant named Veronica (Rie Rasmussen).

  3. The femme fatale is an archetype that appears throughout history in mythology, art, and literature and became a principal character in the hard-boiled detective novels and classic film noir of the 20th century.

  4. Nov 6, 2002 · Overview. A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is.

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  6. Feb 27, 2022 · Brian De Palma’s “Femme Fatale” begins with a close-up of Billy Wilder’s “Double Indemnity” (1944) being shown on TV, the reflection of the film’s lead, Laure Ash (Rebecca Romjin-Stamos), visible on screen.

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