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  1. en.wikipedia.org › wiki › Field_hollerField holler - Wikipedia

    The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to communicate usefully, or to vent feelings. [1]

  2. The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to communicate usefully, or to vent feelings. [1]

  3. en.wikipedia.org › wiki › BluesBlues - Wikipedia

    Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz , rhythm and blues , and rock and roll , and is characterized by the call-and-response pattern, the blues scale , and specific chord progressions , of which the ...

  4. Jul 24, 2023 · As Black Americans toiled in the cotton, tobacco , and rice fields, work songs and field hollers provided a lifeline of emotional release and camaraderie. Each holler, shout, and cry conveyed different messages, often acting as encrypted codes, retelling Bible stories, and delivering messages of hope.

  5. The field holler is a type of formless, and sometimes wordless vocal expression used by slaves in the cotton fields of the "Deep South", especially in the Mississippi Delta, to communicate or to vent feelings, hence the name "field holler". It is closely related to the call and response of work songs, prison chain gangs, railway gangs, and ...

  6. Field holler music, also known as Levee Camp Holler music, was an early form of African American music, described in the 19th century. [11] Field hollers laid the foundations for the blues, spirituals, and eventually rhythm and blues. [13]

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  8. Jul 29, 2016 · “Field hollers or calls were unique to the farmer,” he said. “At social events, hollers often became a contest of whose might be the best, the loudest.” Like so much in the folklife collection, the method was handed down in personal ways, often distinct to a region.

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