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Jun 20, 2019 · In France Marguerite of Navarre, sister of King François I (see Fashion Icon section below), wears a combination of Italian and German trends in her 1527 portrait by Jean Clouet (Fig. 10). Her gown has the broad silhouette, low-cut bodice and large sleeves popular in Italy, though worn with only the band of the chemise visible at the edge of ...
- The Court of Francis I.
- A Speech of Charles v.
- Order of The Cordelière.
- Word Paintings of The Fashions of The Day, by Rabelais.
- Costumes of The Seasons.
- The “Hoche-Plis” Or Vertugadin.
- Satires and Songsagainst Vertugadins.
- Mdlle. de Lacépède. Muffs Were called Contenances.
- Head-Dress called à “Passe-Filon”
- Increase of Love of Dress. The Bean Flower.
Under the gallant knight, Francis I., the court of France shone with a new and more refined splendour than that of the Middle Ages, and to this was added all the magnificence of Italian art. An eye-witness has described the court of Francis for us with characteristic and intelligent simplicity. Michael Suriano, the Venetian ambassador, makes the fo...
On his journey through France, Charles V. saw the treasury and the crown jewels. “There is a weaver of mine at Augsburg,” he disdainfully exclaimed, “who could buy up all that ! “ It is not the less true, notwithstanding the words of the envious Charles V., that the court of Francis displayed the utmost magnificence, and that the king himself lived...
Women soon acquired extraordinary influence; everything was in their hands, “even to the appointing of generals and captains.” Ladies of the palace were nominated and lived at the Louvre. They belonged to an order of knighthood called the Order of “la Cordelière,“ (L’Ordre des Dames chevalières de la Cordelière)intended to reward the most prudent a...
Feminine dress was coquettish, and generally speaking, very graceful in form. François Rabelais (1494-1553, is considered the greatest prose writer of the French Renaissance.), that encyclopedic writer who treated of every subject, whether serious or trifling, describes the fashions of his time in the following words:- “The ladies wore scarlet or c...
“In winter, silk dresses of the colours just described were lined with costly furs. To complete the costume we must add rosaries, ornaments in goldsmith’s work hanging from the girdle, rings, gold chains, jewelled necklaces, and carbuncles, balas rubies, diamonds, and sapphires; finally emeralds, turquoises, garnets, beryls, pearls, and “unions d’e...
The greatest innovation in feminine costume was the appearance of the vertugadin, or hoop, in 1530. Dresses were stretched over wide, stiff petticoats mounted on hoops of iron, wood, or whalebone. A band of coarse linen, supported by wire, lifted them up round the waist. It is said that Louise de Montaynard, the wife of Francois de Tressan, contriv...
Songs and satires against “vertugadins” abounded. The „Débat et Complainte des Meunièrs et Meunieres à l’Encontre des Vertugadins” appeared in 1556, and the “Blason des Basquines et Vertugales, avec la Remontrance qu’ont faict quelques Dames, quand on leur a remontre qu’il n’en falloit plus porter,” in 1563. Next came the “Plaisante Complainte …,” ...
In Paris, the royal edicts against hoops had fallen into disuse, but in the provinces certain parliaments had maintained a merciless severity. It is recorded that at Aix a Demoiselle de Lacépède, the widow of the Sieur de Lacoste, having been accused before the court of wearing a hoop of seditious width, appeared before the counsellors and gave her...
The women vied with the men in splendour of dress. At court or in town they wore an under-skirt, showing below the gown, which was made with pointed bodice, the skirt widely opened in front, with narrow sleeves to the elbow, where they suddenly widened, and were bordered with lace or fur. The bodice was cut low, disclosing a collerette of fine open...
There were, in fact, two distinct periods in the fashions under Francis I. From 1515 to 1526 feminine attire was still influenced by the Middle Ages, not only as regards form and cut, but also as to colouring, which was somewhat grave. Ladies were averse to low dresses, nor did they care for any fanciful trimmings. Some few even abstained from jewe...
May 10, 2022 · Under the gallant knight, Francis I., the court of France shone with a new and more refined splendour than that of the Middle Ages, and to this was added all the magnificence of Italian art. An eye-witness has described the court of Francis for us with characteristic and intelligent simplicity.
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Francis I (1494–1547), King of France. Workshop of Joos van Cleve Netherlandish. Not on view. King of France from 1515 to 1547, Francis I is sumptuously dressed in the latest court fashion and holding the golden pommel of a sword in his left hand.
Jan 10, 2024 · 40 French Halloween costumes: Inspired ideas for adults. Unleash your inner Francophile with one of these French Halloween costumes which you can buy or DIY. Perfect for a themed party or cosplay too. By Annie André ⦿ updated January 10, 2024.
King Francis I, who ruled France from 1515 to 1547, wears 16th-century French court costume in this portrait. His fur-trimmed coat embroidered with black pearls, plumed cap, slashed doublet (fitted jacket), and white shirt delicately pleated at the cuffs all reflect royal wealth.
France middle ages. French bourgeois clothing from 1485-1510. Men’s and women’s hairstyle. Costumes Of State, 1485-1510. French Clothing & Dress. Headdresses. The hoop skirt and its development within the history of costumes. Fashion under the Reign of Francis I. 1515 to 1545. French Renaissance.
