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The Red Horses by Franz Marc. By early 1911 Marc had already developed a symbolism for his use of color. In this, he followed a pattern established by an early-nineteenth-century German Romantic painter, and Marc's friend Kandinsky. Marc ascribed spirituality and maleness to blue, femininity and sensuality to yellow, and terrestrial materiality ...
- Lenggries Horse
Orange in tonality, the horses have become visions unrelated...
- The Tower of Blue Horses
The Tower of Blue Horses, by Franz Marc. On its surface, The...
- Blue Horse I
Blue Horse, by Franz Marc. Wassily Kandinsky wrote...
- Franz Marc Quotes
- Franz Marc Blue is the male principle, stern and...
- Tiger
Tiger by Franz Marc. The furious activity of late 1911 and...
- Franz Marc Biography
Franz Marc was born on February 8,1880, in Munich. According...
- Lenggries Horse
Oct 14, 2023 · The colors used by Franz Marc has all intent and purpose and were not merely a ‘togetherness’ of arbitral designs. Red Horses provides a wide range of expressions all of which Franz had the intention to bring out. The horses matted in red in this case brought out ‘earthiness’. Red for him, brought out danger but this is toned down by ...
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Aug 11, 2023 · Franz Marc, Blue Horse I, 1911, Lenbachhaus, Munich, Germany. Franz Marc (1880-1916) was a son of a landscape painter, who decided to become an artist after a year of military service interrupted his plans to study philology. From 1900-1902, he studied at the Kunstakademie in Munich, Germany.
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) [1] was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it. His mature works mostly are animals, and ...
Dec 6, 2023 · Franz Marc, Large Blue Horses, 1912, oil on canvas, 41-5/8 x 71-5/16 inches (Walker Art Center) In all of these works, Marc uses primary and secondary colors in their most intensely saturated state. Bright red or blue animals graze in vibrant pastures of reds, greens, and yellows underneath rainbow skies.
Franz Marc, Large Blue Horses, 1912, oil on canvas, 41-5/8 x 71-5/16 inches (Walker Art Center) In all of these works, Marc uses primary and secondary colors in their most intensely saturated state. Bright red or blue animals graze in vibrant pastures of reds, greens, and yellows underneath rainbow skies.
The Tower of Blue Horses. This painting is another example of Marc's apocalyptic fears. Here, he depicts four blue horses, possibly representing the Four Horsemen of the Apocalypse from the book of Revelation. The horses are stacked one above the other, on an ascending, vertical plane, eschewing depth altogether.
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