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George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the pop art movement. He was presented with the United States National Medal of Arts in 1999. [1] Works. Segal's work in Amsterdam (1964) Segal's Street Crossing (1992), located at Montclair State University, is typical of the look of his sculptures
Jun 9, 2000 · Summary of George Segal. Using orthopedic bandages dipped in plaster, New York sculptor George Segal constructed some of the most haunting and memorable figurative art of the 20 th century. Life-sized models based on his body and those of friends, family, and neighbors are seated at lunch counters, poised on street corners, or waiting in train ...
Apr 8, 2024 · George Segal was an American sculptor of monochromatic cast plaster figures often situated in environments of mundane furnishings and objects. Segal was educated at the Cooper Union, Pratt Institute, New York University (B.S., 1950), and Rutgers University (M.F.A., 1963) and began his artistic.
View all 26 artworks. George Segal lived in the XX – XXI cent., a remarkable figure of American Pop Art and Environmental Art (Land art). Find more works of this artist at Wikiart.org – best visual art database.
Washington, DC 20006. Hours. Mon - Sun: 10:00 am‑5:30 pm. Born in New York City. Initially a painter, later a sculptor, best known for his life-size figures made from white, plaster-impregnanted bandages but often placed in realistic positions and settings.
George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the pop art movement. He was presented with the United States National Medal of Arts in 1999. American sculptor best known for his life-size sculptures of human figures set in environments.
G.S.: In 1958 I had a combined sculpture and painting show. I had a history of painting life-size figures. I simply made three life-size figures out of wire, plaster and burlap, one sitting, one standing and one lying. They looked to me as if they had stepped out of my paintings. HG: Is there much visual connection between those three pieces ...
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