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  1. Sculpture, pop art. Awards. Praemium Imperiale (1997) George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the pop art movement. He was presented with the United States National Medal of Arts in 1999.

  2. Jun 9, 2000 · Artists. George Segal. American Sculptor, Photographer, and Painter. Born: November 26, 1924 - New York, New York. Died: June 9, 2000 - South Brunswick, New Jersey. Movements and Styles: Pop Art. , American Realism. "For me to decide to make a cast of a human being broke all the rules of fine art." 1 of 5. Summary of George Segal.

  3. Apr 8, 2024 · George Segal (born November 26, 1924, New York, New York, U.S.—died June 9, 2000, South Brunswick, New Jersey) was an American sculptor of monochromatic cast plaster figures often situated in environments of mundane furnishings and objects.

  4. www.artnet.com › artists › george-segalGeorge Segal | Artnet

    George Segal was an American Pop artist. View George Segals 933 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available sculpture, prints and multiples, and works on paper for sale and learn about the artist.

  5. www.moma.org › artists › 5316George Segal | MoMA

    George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the pop art movement. He was presented with the United States National Medal of Arts in 1999. American sculptor best known for his life-size sculptures of human figures set in environments.

  6. Renwick Gallery. Born in New York City. Initially a painter, later a sculptor, best known for his life-size figures made from white, plaster-impregnanted bandages but often placed in realistic positions and settings.

  7. G.S.: In 1958 I had a combined sculpture and painting show. I had a history of painting life-size figures. I simply made three life-size figures out of wire, plaster and burlap, one sitting, one standing and one lying. They looked to me as if they had stepped out of my paintings. HG: Is there much visual connection between those three pieces ...

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